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Justin Bieber Flexes, Shows Off His Biceps

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Justin Bieber is showing off his guns.

No, not the shootin' kind.

The 18-year-old pop star took to Instagram last night to post of a photo himself posing a lá Mr. Olympia in a white tank-top undershirt.

Both arms are up, his fists are clenched and his biceps are flexed. Biebs gives some serious face as he stares into the camera.

And, of course, there's bling. There's a gold bracelet on his right wrist and a matching watch on the left. A gold and diamond whistle dangles from a chain around his neck.

Bieber's message accompanying the photo reads, "Jb you think you jacked or sum???"

Source

13 Things You Didn't Know About Michael Jackson's "Thriller"

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Hands down, Michael Jackson's "Thriller" has got to be one of the best videos that has ever been produced. It's a cult classic that completely revolutionized how music videos were created and consumed.

Below are thirteen things that might surprise you about this spooky, 1980s Halloween fave. Think you know it all... ?


~*~



Michael Jackson Was Almost Excommunicated For Making The Video

Jackson and associates when he was a Jehovah’s Witness, 1984

Throughout the 1980s, Michael Jackson was a practicing Jehovah's Witness who obeyed his religion's mandate to spread the faith by knocking on doors in his neighborhood, wearing a crude disguise of mustache and glasses. He attended services at the local Kingdom Hall with his mother and siblings, and abstained from drinking, swearing, and supposedly, R rated movies.

However, a pop star's life is often at odds with the Witnesses' strict teachings; Jackson and his assigned "minders" butted heads over numerous issues, including song lyrics ("Don't Stop 'Til You Get Enough" was too sexually suggestive) and dance moves (Jackson's iconic Motown 25 performance was deemed "dirty, burlesque dancing," despite the singer's protestation that "90.9% of dancing is moving the waist").

The "Thriller" star and the Jehovah's Witnesses butted heads again in 1983 when they found out he was making a werewolf music video.

"They told [Michael] that it promoted demonology and they were going to excommunicate him," said Jackson's then-attorney John Branca.

Jackson was devastated.




... And He Almost Had The Footage Destroyed



About two weeks before the premiere of "Thriller," Michael Jackson called his attorney, John Branca, and tearfully ordered him to destroy the negative of the controversial music video.

After much cajoling, the singer revealed that the Jehovah's Witnesses were threatening to excommunicate him if he didn't.

Branca conferred with "Thriller" director John Landis, and both agreed that the video's negative had to be safeguarded. Landis immediately removed the film canisters from the lab and delivered them to Branca's office, where they were locked up.

To appease Jackson's conscious, Branca fabricated a tale that actor Bela Lugosi, one of the singer's idols, had been a deeply religious man who didn't approve of vampires and put a disclaimer to that effect at the beginning of his "Dracula" film.

Jackson bought the story, placing a similar disclaimer at the beginning of "Thriller" -- and the Jehovah's Witnesses never excommunicated him (Jackson officially left the religion of his own accord in 1987, though he often still referred to himself as a Witness).

The rest is music-video history.




Ola Ray Was A "Playboy" Model



After Jennifer Beals turned down an offer to co-star in "Thriller," director John Landis cast an unknown 23-year-old former Playboy Playmate named Ola Ray. (She appeared in the June 1980 issue of Playboy magazine.)

"I auditioned a lot of girls," Landis said. "[Ola] had such a great smile. I didn’t know she was a Playmate. ... I thought, 'Oh, Jesus Christ!' I went to Michael and told him and said, 'Can I hire her?' He said, 'Sure.'"

Though Landis seemed to think Ray's previous gigs would shock and disgust the religious Jackson... Ray said the singer had seen her center-fold spread and "seemed taken by the fact I was a Playboy model."




... And Michael Jackson Made Out With Her



Former Playboy model Ola Ray, who co-starred with Jackson in his 1983 "Thriller" music video, rarely speaks about the singer at length; but in an exclusive 2010 interview with Vanity Fair, Ray revealed that she had "shared some intimate moments with [Michael] in his trailer" on the video's set.

"I won't say that I have seen him in his birthday suit, but close enough," she said, laughing. "What we had was such like a little kindergarden thing going on. ... Kissing and puppy-love make-out sessions, and a little more than that."

Journalist and Vanity Fair contributor Nancy Griffin, who was on set during the filming of "Thriller," similarly told ABC News that she witnessed "some very sweet kind of physical interaction going on between [Michael and Ola]." When asked how far she thought the pair got in their relationship, Griffin speculated, "second base, maybe third."

Since Jackson's death in 2009, Ray said she thinks about the singer every day, with considerable regret: "I just wish I would have had the opportunity to be a little bit more in his life. ... I didn’t tell him [I was in love with him at the time]. And that’s one thing I hate, the fact that I didn’t really get a chance to tell him how I really felt about him."




Joe Jackson Had To Be Escorted Off The Set By Police



During the shooting of "Thriller," Michael Jackson was emotionally stressed by long-simmering family and business pressures. As the singer grew to trust some of his "Thriller" collaborators -- including director John Landis, make-up artist Rick Baker, and Epic official Larry Stessel -- he opened up about his loneliness, his perception that he had been robbed his childhood, and his troubled relationship with his father.

More than once, Landis found himself caught up in the twisted dynamics of the Jackson family.

One night when Joseph and Katherine Jackson visited the set, the director recalled, "Michael asked me to have Joe removed. He said, 'Would you please ask my father to leave?' So I go over to Mr. Jackson. 'Mr. Jackson, I'm sorry, but can you please...?' 'Who are you?' 'I'm John Landis, I'm directing this.' 'Well, I'm Joe Jackson. I do what I please!'"

After an increasingly hostile argument, Joe Jackson had to be escorted off set by a policeman.




The Zombie Costumes Were Made From Clothes Picked Up At A Salvation Army



Well, they had to cut corners on the budget somewhere!

As co-designer Kelly Kimball explained in the The Making of Michael Jackson's 'Thriller' documentary: "They told us we had to have a lot of dead people, so we went down to the Salvation Army and bought a lot of old suits and things, as-is -- they had holes in them. We took [the clothes] home and wrecked them! We dunked them in water, we rubbed them on the ground, we slashed them up with razor blades. Then we laid them out to dry, and bugs crawled in them, and I don't know . . . maybe some bugs are still in them! [laughs]"

Jackson himself with a big fan of the Salvation Army. The singer loved rummaging through the store for "things I haven't seen since I was little," and often made sure to visit various second-hand, thrift shops wherever he traveled.




Michael Jackson's Red Jacket Sold For $1.8 Million



The iconic jacket, designed by Deborah Nadoolman-Landis (director John Landis' wife), sold for an absurd amount of money at an auction in 2011.

Nadoolman-Landis -- who had also designed Indiana Jones's jacket in "Raiders of the Lost Ark" -- elaborated on her iconic "Thriller" design in a recent interview with the Wall Street Journal.

"When it came to Michael’s jacket, there was a tremendous amount of thought that went into it," she said. "I had sketched different looks, but I found ultimately once I came across the jacket with the V with the extended shoulders -- that was it. It’s graphic and structural, and I wanted a good silhouette. The V in the jacket really echoes the pyramidal shape of the choreography."

As for the jacket's color, Nadoolman-Landis said she picked a bright red to stand out against all the fog and the "black, white, beige, gray, brown" zombie costumes on set.

"His pants were just white jeans that I dyed red to match the jacket. The socks and the shoes were his own."

The designer added: "Michael was elegant. I worked with David Bowie, who was also that same body frame, again very, very slim. Fred Astaire was a 36 regular; Michael was a 36 regular. David and Michael and Fred Astaire -- you could literally put them in anything, and they would carry themselves with a distinction and with confidence and with sexuality."




MTV And Showtime Helped Pay For The Video



With "Thriller," both Michael Jackson and director John Landis wanted to reinvent the "theatrical short" by creating a 14-minute, two-reeler musical with a big budget and a Hollywood director. However, such an ambitious idea did not go down well at Jackson's record label, CBS, who refused to pay for it.

"Music videos were new in 1983 [and] were used to sell records," Landis explained. "When Michael decided to do the 'Thriller' video, the album had already become the biggest-selling album of all time. So nobody would give us the money, because the 'Thriller' album had already been so successful! Michael said he would pay for it, but I wouldn't let him." (Jackson previously paid $150,000 out of his pocket for his iconic "Beat It" music video.)

"['Thriller'] ended up costing $500,000 -- still enormous money at that time for that kind of thing."

George Folsey, Landis' partner in the venture, suggested they make a documentary, to be called The Making of Michael Jackson's 'Thriller.'

"We sold that hour to a brand-new thing called cable television and the Showtime Network, which at that time had only three million homes as subscribers," said Landis. "They paid a quarter of a million dollars for the rights to show it exclusively for, I think, ten days."

When bosses at MTV saw it, they were furious and immediately called the "Thriller" director.

"'How can you do that?!' they asked. We said, 'OK, you give us the money.' And they gave us another quarter of a million to show it for two weeks, and that [covered] our costs!"




"Thriller" Pioneered The "Making-Of" Genre



In 1983, Jackson's record label, CBS, refused to pay the "Thriller" music video's $500,000 budget. To make ends me, director John Landis did a deal with the new cable network Showtime, who handed over $300,000 for the video and a proposed documentary that Landis would oversee, too. (The rest of the budget came from MTV.)

The subsequent 45-minute Making of Michael Jackson's 'Thriller' doc established the genre, anticipating the "extras" that now accompany almost every DVD release.

However, at the time, said Landis, "we used to call it 'The Making of Filler'. It turned out very well, but the truth is that it's filled with scenes from 'American Werewolf' because I owned them, and anything else we could find to fill up the time.

"When we found we were still six minutes short, we decided to put in pieces of the video itself. In fact, it's very effective, but at the time I thought, 'This is shameless!'"




... It Also Basically Created The Home Video Market



After director John Landis and co. sold "Thriller" and its making-of documentary to cable TV... a company called Vestron arrived on the scene.

Vestron offered to distribute The Making of Michael Jackson's 'Thriller' as a $29.99 "sell-through" video on VHS and Betamax, a pioneering deal of its kind. (Most videos were then sold for far higher prices -- anywhere from $80 to $100 -- to rental stores, rather than directly to consumers.)

"You have to remember, back in those days none of us realized quite what home video was going to become," said Landis' then business partner George Folsey. "The studios treated it pretty much the way they treated television in the '50s and '60s, with total disdain. They had no idea that the home video business was going to save Hollywood -- it never crossed their minds."

The Making of Michael Jackson's 'Thriller' went on to become the best-selling musical on VHS ever, worldwide.




"Thriller" Was Screened In Theaters So It Would Be Eligible For An Oscar



"Thriller" never received an Academy Award nomination, but the video was screened before Disney's re-release of "Fantasia" for a week in Westwood, California just so it could be eligible for a short film nod.

Many A-list celebrities turned out for the premiere at the 500-seat historic Crest Theatre: Diana Ross, Warren Beatty, Prince, Eddie Murphy.

"I’ve been to the Oscars, the BAFTAs, the Emmys, and the Golden Globes, and I had never seen anything like this," remembered director John Landis.

Ola Ray looked for Jackson before the lights went down and found him in the projection booth. He told her that she looked beautiful, but refused her entreaty to come sit in the audience. "This is your night," he told her. "You go enjoy yourself."

Landis warmed up the audience with a new print of the Mickey Mouse cartoon "The Band Concert.' Then came "Thriller," with its sound mix cranked up to top volume. Fourteen minutes later the crowd was on its feet, applauding and crying, "Encore! Encore!"

Eddie Murphy shouted, "Show the goddamn thing again!" And they did.




It Lost The Top Prize At The MTV Video Music Awards



"Thriller" was nominated for Video of the Year at the first-ever VMAs in 1984, but it lost to The Cars' surreal clip for "You Might Think."

MTV later declared "Thriller" the Greatest Music Video Ever Made.




... But It Became The First Music Video Ever Inducted Into The Library of Congress' Film Registry



Under the terms of the National Film Preservation Act, each year, the librarian of Congress names 25 films to the registry that are "culturally, historically or aesthetically significant," to be preserved. The library then works to make sure that a copy of the film is at least preserved by a film, television or recording company, and then tries to obtain a copy to keep in the Library of Congress, where it is available for research purposes.

In 2009, Jackson's "Thriller" became the first music video to enter the archives.

"I think it is a recognition of how much they changed the music industry in the '80s, and we thought it was important to represent that," said Stephen Leggett, the coordinator of the National Film Preservation Board. "We picked ['Thriller'] because it was most iconic from the era."

Noting the "lavish" production values of the "Thriller" video, librarian of Congress James H. Billington added, "Music videos up to that time had been basically people singing a song to a camera. ... Anybody who saw this film at the time had it become part of their DNA."

Source




This seemed like an appropriate post for today, haha. Happy Halloween, ONTD! :)

Girls' Generation Serves You Hot Nut Realness In Newest Taste-Defying Music Video

LIVE X FACTOR DISCUSSION + Meet Dinah Jane from Lylas

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The female One Direction debut tonight.



"It's nice to be compared to the Spice Girls, it's a great feeling."


Dinah Jane Hansen burst onto "The X Factor" with such a strong audience and sweet personality that the 15-year-old from Santa Ana seemed to many – including the judges on the show – a certainty to advance into the later rounds of the Fox singing competition.

So imagine our surprise – and hers – when she was told that she would not be moving forward as a solo singer on the show.

But this is reality TV where there's always a twist or two in the wings. And moments after Hansen got the bad news, she got a bit of good news, too: She and four other singers would advance to the Top 24 as part of a new girl group called LYLAS (although they now have to change their name due to legal issues).

"When I first found out I wasn't advancing as a solo artist I felt like I had let my family down," she says. "I knew that I was not just representing my family, I was representing Polynesia, too.










Hi, how are you? We’ve had you on our radar since before day 1. It seems like we’re not the only ones. Where did your hundreds of thousands of fans come from?

Well, because I’m Polynesian, there’s not a lot of Polynesians in the mainstream music world. Basically they rallied around me and supported me, and I would do a lot of concerts and shows — a lot of charity things so I could get my name out there.

Yeah, you have tons of Tongan support and for the show too. We follow you on Facebook and Twitter and saw you on the X Factor promos. You seem to carry yourself really well on the show. Can you tell us how you felt when you were not chosen as a solo singer and were put in a group instead?

To be honest, at first I felt like ‘maybe I’m in the group because they don’t think I’m good enough to be a soloist. I had my doubts about myself. Not about the girls, but I thought maybe... and I decided to trust Simon and go with the flow. So far, the girls have been nothing but great. They’re really sweet and easy to work with, and they’re all so talented in their own ways. We seem to gel very well.

How much time did you guys have to practice before your first Judges’ House performance?

I think like three or four days. Our moms helped out a lot. They sat and listened to us. They were almost like our judges before judgment day. They critiqued us to the point where it was like ‘Oh my gosh, really?’

Did you guys practice at the Judges’ Houses, or was it elsewhere too?

It was in studios, at the hotel... everywhere. At breakfast. Any time we had the chance, because we knew that a lot was on the line so we knew we wanted to try our best and give it our all.

How did you decide who would play what role within the group — in terms of both singing and leadership? Was it obvious because of your voices which parts you’d be singing?

We kind of just picked out which parts we wanted to sing and then made those parts our own. It didn’t take long because we all liked the song beforehand. It wasn’t hard to find the parts that defined us individually and as a group.

Everyone leads in their own way. We’ve already established that nobody is the lead singer. We all have our own styles of singing. I think I’m the one who cares for the group. I like to clean. When I clean, I clean around and pick up things without being asked to. And they’re like “Dinah, put that down.” I think it’s because I’m the oldest in my family, so I’m used to that.

And who picked the song, Impossible?

We all did.

Cool. What has your time been like with Simon?

Oh, he’s great. He’s really, really sweet. What I like about him is that he’s very honest (laughs). If he doesn’t like something, he’ll tell you. But so far it’s been great.

Has there been anyone else that you’ve gotten along with really well so far, in terms of groups or other people you met at boot camp or in auditions?

We’ve gotten along very well with pretty much everyone at the Judges’ House. Playback was so sweet and they’re so talented. It was nice making friends with everyone.

Who do you see as your main competition on the show?

The pool of talent is so amazing this year, that everyone is competitive. But really, in all honesty, we’re just competing against ourselves. We want to be better than yesterday, than an hour ago. Just trying to perfect the harmonies and bringing our own parts, and define ourselves.

So, you guys were called LYLAS at Judges’ Houses. Are you going to have to change your name because of the Bruno Mars issue?

Um... I’m not sure.

Okay. Can we do a lightning round for the word you’d use to describe the girls in the group?

Sure.
Lauren? Fierce.
Camila? Goofy... in a good way. She’d tell you herself. She’s a goofball... really funny.
Ally? A blessing.
Normani? Poised.
How about you, Dinah Jane? Happy.

Your chemistry was awesome at the Judges’ Houses, even though you hadn’t known each other for long. Had any of you ever met each other at competitions or anything?

You know what the crazy thing is that before we became a group, we were already hanging out as friends. You know, when we got to Boot Camp. We were already drawn to each other and then we became a group... it was really easy.

Do you guys have other music groups you hope to emulate?

Destiny’s Child, Spice Girls, Dreamgirls, The Supremes... There’s a long list.

How would you describe your sound?

Our sound? Honestly, I really can’t answer that right now. Something new.

Is anyone dating someone right now? Any celebrity crushes?

Nope. We’re dating our music right now. You know, we have our crushes here and there. Nothing serious. As for celebrity crushes? Yep, lots. Chris Brown, Justin Bieber... Camila has a huge crush on One Direction.

Were you jealous that Justin Bieber was with L.A. Reid and not with Simon?

Oh my gosh, when I saw that, I was like oh my gosh. I would have died.

Do you think that if it doesn’t work out with X Factor, you guys will stay together as a group? Have you talked about that?

Yeah, definitely. Definitely. We’ve already talked about that.

Do you feel like you have a disadvantage against the other group because you’ve been together the least amount of time?

Yeah, that would be a concern.

Source

'Lotus' Already Being Ripped Apart by Critics

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You say you want a revolution? Good news! Christina Aguilera has already armed the battle-clones for war on ''Army of Me,'' one of many thundering self-empowerment anthems on her fifth studio album, Lotus. ''There's a thousand faces of me,'' she hollers. ''And we're gonna rise up.../For every time you wronged me/Well, you're gonna face an army, army of me.'' Which begs the question: Rise up against whom? Is the whole world really out to get her, or is this just an excuse to wear camouflage hot pants?

If it sounds like Aguilera is in self-defense mode, that's not a surprise. Since she released her 2010 clunker, Bionic, she's gotten divorced, dodged tomatoes for her big-screen performance in Burlesque, and rebounded as a coach on NBC's The Voice. But her mixed messages are too often unintentionally funny. After inviting America to ''turn down the hate'' on ''Make the World Move,'' an electro-soul duet with Voicecostar Cee Lo Green, she spends the sassy kiss-off ''Circles' telling her enemies to ''spin around in circles on my middle, middle finger.'' And getting behind the bouncy peace-flag-waver ''Let There Be Love'' is difficult when there's a bonus track called ''Shut Up'' that invites the haters to ''suck my d---.''

Backed by megaproducers Max Martin, Shellback, and Lucas Secon, and boosted by The Voice, Lotusshould have been Aguilera's mainstream pop comeback. Occasionally she can still power through a chorus like a Russian weight lifter (see: ''Sing for Me''). Too bad most of these tracks digitally smother her voice, draining all the emotion until she just sounds bitter. It's unclear whom she's mad at here. But somehow Lotus makes you want to root for the other guy. C-

Source: 

http://www.ew.com/ew/article/0,,20643719,00.html


Mark Hamill weighs in on the future of 'Star Wars'.

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Yesterday’s news that George Lucas is giving the keys to the Star Wars universe to The Walt Disney Company in a $4.05 billion mega-deal surprised fans around the world, includingsome famous filmmakers who grew up on the franchise. It even caught a key figure in that universe—Luke Skywalker himself, Mark Hamill—by surprise. Reached by EW, Hamill—who currently does voice work on no fewer than four animated series and will co-star in the upcoming crime thriller Sushi Girl—shared a few thoughts on where Star Wars and its fabled creator go from here now that Lucas is handing over the reins (and the light sabers and blasters and all the rest) to new custodians and the next generation of filmmakers.

Entertainment Weekly: What did you make of the big news yesterday?
Mark Hamill: Oh my gosh, what a shock that was! I had no idea that George was going to sell to Disney until I read it online like everybody else. He did tell us last summer about wanting to go on and do [EpisodesVII, VIII, and IX, and that [newly appointed Lucasfilm president] Kathleen Kennedy would be doing them. He seems to be in a really good place. He’s really happy. And that’s nice because I know that when we were making the movies, he was not a jolly guy on set. [laughs]  I always felt badly for him because he agonizes over details, and I’m sure after imagining it in his head for so many years, to see it realized—he’d look up and just hang his head and groan. Harrison [Ford], Carrie [Fisher], and I were always trying to cheer him up and joke him out of his doom and gloom. I missed his call yesterday, but I spoke to him maybe three weeks ago. But until we know more, it’s hard to make any comment other than congratulations to George.



EW: So you met with George this past summer and he told you about his plans to make another trilogy?
Hamill: Yeah, last August, he asked Carrie and I to have lunch with him and we did. I thought he was going to talk about either his retirement or the Star Wars TV series that I’ve heard about—which I don’t think we were going to be involved in anyway, because that takes place between the prequels and the ones we were in and, if Luke were in them, he’d be anywhere from a toddler to a teenager so they’d get an age-appropriate actor—or the 3-D releases. So when he said, “We decided we’re going to do Episodes VIIVIII, and IX,” I was just gobsmacked. “What? Are you nuts?!” [laughs] I can see both sides of it. Because in a way, there was a beginning, a middle, and an end and we all lived happily ever after and that’s the way it should be—and it’s great that people have fond memories, if they do have fond memories. But on the other hand, there’s this ravenous desire on the part of the true believers to have more and more and more material. It’s one of those things: people either just don’t care for it or are passionate about it. I guess that defines what cult movies are all about. We’ll see. I’m anxious to know what’s going on, but the main story [yesterday] was the sale to Disney. I have mixed feelings about that, but they haven’t done badly by Marvel and the Muppets and Pixar. It’s one of those big decisions that at first seems unusual but then the more you look at it, the more it makes sense.

EW: When you had lunch with George, did he get into any details with you about where the story would go in the next three films, or whether you would have a part in them?
Hamill: Well, no, he was just talking about writers and the fact that he wouldn’t be directing. I guess he wanted us to know before everybody else knew. He said, “Now you can’t tell anybody!” [laughs] Even now I’m nervous about saying anything. I just don’t know!





SOURCE 

Sorry mods, i might have sent it twice. This is the right one now.

FFAH

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FREE FOR ALL HALLOWEEN


I just had my FIRST trick-or-treater at my new house!! ^____^

Have a safe Halloween everyone!!





DON'T FORGET TO GET PICTURES OF YOUR COSTUME WITH AN ONTD SIGN TO ENTER THE COSTUME CONTEST!!!

FOR THE SIX PEOPLE WHO GIVE A SHIT....

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Chris Colfer Returns to High School in New Trailer for Struck By Lightning


chris-colfer-ashley-fink-halloween-2

A new trailer has arrived online for Struck By Lightning, otherwise known as "the movie Glee's Chris Colfer wrote and stars in." Clearly, Colfer is trying to forge his own path from TV to movies, and his big screen debut could find success due to an appealing cast (Bridesmaids' Rebel Wilson, Modern Family's Sarah Hyland and Mad Men's Christina Hendricks to name a few) and its familiarity to Colfer's hit TV show.

New Trailer



http://www.reelz.com/movie-news/15058/chris-colfer-returns-to-high-school-in-new-trailer-for-struck-by-lightning/

Essentially this is a new trailer for Chris Colfer's vanity project which he has used his status as Hollywood token gay twink to rope in every current TV star of the moment. Side eye to Christina Hendricks, Rebel Wilson and Queen Janney for slumming it in this movie but I appreciate their charitable nature. 

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Kristen Stewart won Robert over with homemade "video montage" lol

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rob_and_kristen_kissing

Robert Pattinson and Kristen Stewart might be back to making gooey eyes at each other across the red carpet, but it sounds like their slow motion run back into each other's arms may have been a bit more complicated than you'd imagine.
In fact, R-Patz apparently only gave in after K-stew sent him a home movie she'd crafted with her own fair hands.

While you might assume there was some sort of hanky panky involved in all this, you can put your pervy minds right away as it's apparently more of a cyber love note, made to remind Rob of all the good times they had together before Rupert Sanders ever came on the scene.
“She sent Robert the film after bombarding him with hundreds of texts, emails and answerphone messages," a friend of K-Stews supposedly told The Sun.
“It was a last-ditch attempt at getting him back and she spent ages making the video montage using hundreds of photos and hours of home film footage of nights out and holidays.
“It was just like the Google ad as she cut-and-pasted lines from love poems to connect it all together.”
If the rumours about this are true, we'd really like to think she used several shots of herself modelling their shared collection of baseballs caps and maybe a nice close up of his beard for old times sake too.
Who knew Kristen was such an avid video blogger? Next thing you know she'll be apologising to her fans over Chat Roulette.
What do you think about all this?

USA cancels Common Law

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Image and video hosting by TinyPic

USA Network is dumping Common Law.

The cable net officially confirms what TVLine strongly hinted at on Monday — the struggling freshman drama will not be returning for a second season.

The series starred Michael Ealy and Warren Kole as detectives forced into couples’ therapy to save their partnership.

As TVLine exclusively reported earlier this week, Kole has rebounded with a recurring role on Fox’s upcoming psychological thriller The Following as a devotee of serial killer Joe Carroll (played by James Purefoy).

Source
I was expecting this, but still sad. At least the series finale was perfect. Hope this show comes out on DVD eventually!

Wow...

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Chris Brown's Halloween "costume":


"Ain't nobody Fucking wit my clique!!!!#ohb"

he's the one in the middle btw...

source
 
why would yo...wha...how...just...ugh

Taylor Swift Elle Canada scans

HALLOWEEN CREEPY POST: 'The Exorcist': 10 creepy details from the scariest movie ever made!

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It’s Halloween, and some might say: “What an excellent day for an exorcism …”

It has been almost 40 years since The Exorcist started terrifying moviegoers, and despite countless imitators and special-effects advancements it remains a deeply disturbing cinematic experience.

Stories from the making of the 1973 film are almost as unsettling.

Director William Friedkin, who earned an Oscar nomination for the film, sat down with me for a Q&A this week after a screening of the film for the ICM Partners talent agency to discuss some of the most infamous legends surrounding the movie.

What’s surprising is how much of the story was inspired by true events – as difficult as they are to believe – as well as the sometimes bizarre lengths the cast and crew went through to bring William Peter Blatty’s best-selling novel to the screen.

Most chilling is the true story Friedkin learned at the start of the production.

1. Friedkin says Blatty set out to write a non-fiction account of an exorcism that happened to a 13-year-old boy at a psychiatric clinic in 1949, but had to dramatize the story when it became too difficult to get specific details of what happened.

Those who did speak to Blatty requested that the character be changed to a girl, to help protect the identity of the boy who actually experienced the possession. Friedkin says that child grew up having no memory of the incident, and went on to an otherwise stable life. Friedkin said he recently retired from a long career at, of all places, NASA.

The filmmaker never met that man, but spoke with family members who described telekinetic activity surrounding the child during his apparent possession.

“The family was Lutheran and they went through all the stages you see in the film: they went to doctors, clinics, and finally went back to their own pastor in the Lutheran church, who recommended they see a priest,” Friedkin said.

It’s not that anyone in the medical profession actually believed a demon was the problem, but they thought the power of suggestion might help the boy if he thought it was a true possession. A priest named Father William Bowdern reportedly performed the ceremony, with a younger priest named William Halloran assisting.

The incident was even mentioned in Halloran’s 2005 obituary in The Washington Post.

When The Exorcist was in the early stages of production, Friedkin met with the Rev. Robert J. Henle, then president of Georgetown, who secretly passed him an old red folder with Halloran’s diaries and other eyewitness accounts of the true-life exorcism.

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2. You might assume the Roman Catholic Church would be viscerally opposed to seeing one of its more arcane rituals turned into fodder for a horror movie, but Friedkin says many church officials supported The Exorcist at the time.

Not only did Georgetown’s president, Father Henle, give them documents pertaining to the case, but the role of Father Dyer – the friend and confidante of faith-challenged Damian Karras (Jason Miller) – was played by a real priest, Father William O’Malley, in his one and only screen role.

“Most of the people at the highest levels of the church accepted it totally because the Roman Ritual of Exorcism is still in the New Testament,” said Friedkin. The director claims church officials later told him they credited the film for inspiring new applicants to be priests and nuns.

After all, the priests are the heroes of the story. And the message of the film is that there are some matters of the soul that science and medicine can’t fix.

“The Cardinal in New York preached about it from the pulpit and said great things about it,” Friedkin recalled. “The guy who was the head of the Jesuit order at the time, Father Pedro Arrupe, who was headquartered in Milan, he had his own print of it and would show it to his fellow priests and bishops and cardinals.”

Of course, not every cleric was a fan. “The cardinal in Boston loathed it and wanted it banned,” Friedkin said. “Billy Graham, who was not Catholic, denounced it from the pulpit and said ‘The Devil is in every frame of this film.’ Now, how he examined every frame, I don’t know.”

3. There may be truth to demons and possession, according to Friedkin – though he doesn’t pretend to know for sure.

“I did this film because I believe in the story. This film was made by a believer. The film to me is about the mystery of faith,” Friedkin said. “I know it’s voted this-and-that horror film, but to me it’s about the mystery of faith.”

Certainly a great many moviegoers believed it. The film caused a spike in people fearing they were possessed, and Friedkin said the movie’s young, doubting priest – actor and playwright Jason Miller (who died in 2001) – would often be accosted by people seeking to have their personal demons cast out.

“There was a lot of that,” the director says. “I used to walk down the street with Jason in New York and people would come up to him and try to touch his jacket. ‘Father, I have a son, I have a son …!’ And he would say, ‘I’m just an actor!’”

Stanley Kubrick once told Stephen King that he thought The Shining was an optimistic story – because it suggested there really was life after death. In a similarly twisted way, The Exorcist has the same message about belief in God, of course the devil is part of that package, too.

“Even if you call yourself an atheist, you have to think about it,” Friedkin says. “None of us has any answers. And as Hamlet said to his friend Horatio, ‘There are more things in heaven and earth than are dreamt of in your philosophy.’”


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4. The main character is a 12-year-old girl, an innocent corrupted by outside evil. But most 12-year-olds shouldn’t even SEE The Exorcist.

“I thought for a long time, we could never make this film. We couldn’t cast it,” Friedkin said. “We threw out a net for about 2,000 young girls. And we couldn’t find anybody who could even handle the subject matter.”

From his office at 666 Fifth Avenue in New York (an ironic address if ever there was one), Friedkin and Blatty had given up and started auditioning actresses who were in their late teens. Then 13-year-old Linda Blair and her mother came in without an appointment, hoping to get a shot at the part.

At that point, most of Blair’s experience had been modeling clothes for advertisements.

“She sat down with her mother, and I said, ‘Linda, do you know anything about The Exorcist?’” Friedkin recalled. “She said, ‘Yeah, I read the book. It’s about a little girl who gets possessed by the devil and then does a whole bunch of bad things.’

“I said, ‘Like what? What kind of things does she do?’” he said, testing her.

She told him: “‘Well, she hits her mother across her face. And she pushes a man out her bedroom window. And she masturbates with a crucifix.’”


This was the moment in the story that caused more angst than any other, and remains a deeply controversial part of the movie (even though the scene is shot from behind, so a stand-in could be used.)

“I look over and her mother is smiling,” Friedkin says. “I asked, ‘Do you know what that means?’ She said, ‘Yes, it’s like jerking off, isn’t it?’”

When the director took a deep breath and asked if she even knew what that meant, she replied: “’Sure. Don’t you?’”

“She was the only one of all the young girls I felt would not be destroyed by this experience,” Friedkin says.


Still, he says, he tried to keep the set light and jokey during her most intense scenes, to alleviate any residual weirdness for her.

“If she was bothered by it during production, the rest of the cast couldn’t function and nor could the crew,” he said. “In the dailies, you’d see after every take, where she’s saying the most horrific things, I’d say cut, and then one of the prop men would hand her a milkshake and she’d be laughing. The whole thing to her was a game.”

5. You’ve probably seen that internet prank, where a friend tells you to do a complicated, but seemingly innocuous maze – and just when it demands the most concentration, a shrieking, nightmarish face appears.

Usually, it’s a smiling shot of Linda Blair in demon make-up from The Exorcist.

Even four decades later, that look gives new definition to the phrase “hard on the eyes.”

You can thank Dick Smith, a legendary make-up man who received an honorary Oscar last year, for that contribution to America’s high blood pressure.

Instead of going for a straight monster look, he and Friedkin decided, “Why don’t we try to do what looks like she scarred herself and these sores will get worse and worse?” the director said. “[Smith] did a lot of research on gangrenous wounds and burn victims. And he brought me a lot of actual photos of people to whom that had happened.”

It’s ugly work, but someone had to do it.

6. If you didn’t know about Smith’s expert make-up skills, you’d be forgiven for thinking: Max von Sydow has held up really well over the past 40 years!

Or, the flip-side: Max von Sydow looks like he has always been in his 80s!

The truth is, the Swedish actor was only 43 when he made The Exorcist, but was aged to look much older. Friedkin says they chose him for the role not just because he was a great performer, but because “he looked like Father Bowdern,” the real-life priest who performed the 1949 exorcism.

“His make up took four hours a day,” says Friedkin. For the opening scenes at a desert archaeology dig – which were shot in Mosul, Iraq – the heat soared above 120 degrees, which made the process all the more brutal for the actor.

“When we finished they would peel it off and the sweat would just pour out of his face,” Friedkin says.

It’s not quite as bad as the Nazi faces melting at the end of Raiders of the Lost Ark, but it probably made von Sydow’s head feel like one swollen, swimming blister all day long.

7. Aside from Blair’s sickening make-up, the other key terrifying part of the character is its demon voice.

Compare the before and after above, as Blair’s voice is replaced by something growling, reedy, and sinister.

The final demon voice was created without any significant post-production alteration by an Academy Award-winning actress who went to dangerous lengths to create it.

“I had a lot of trouble devising how the demon would sound,” Friedkin said. “If you read the novel, it says ‘The voice was terrible’ or ‘It was frightening’ … But how do you achieve that?”

He came up with the notion that the voice should be gender neutral, neither male nor female.

“I remembered from dramatic radio, this great actress Mercedes McCambridge, who worked a lot with Orson Welles and the great radio performers. I remembered she had a kind of neutral sound,” the director recalled. He tracked her down to a stage production of Who’s Afraid of Virginia Woolf in Dallas, and got her to come see a rough cut of the film.

“Afterward, she said: ‘Do you know anything about me? What do you know about me?’” he recalled. “I said, ‘Only that you’re a really great actress and I remember your voice from 25, 30 years ago.’

“She said, ‘Well … I’m a practicing Catholic,’ she said, ‘And I am also a drunk. I went through AA, and I’ve had many deep psychological problems, and the church has been like a rock for me.’”

It seemed like she was getting ready to turn down the project, but instead told him: “’I know what you want me to do for this voice.’”

Then she added: “’If I do that … I’m going to start drinking again.’”

8. McCambridge, who died in 2004, told Friedkin she would need to swallow raw eggs to make her voice mucusy, start smoking cigarettes again, and also guzzle booze to get the languid, throaty croak necessary for the demon.

Since she was falling off the wagon to do the job, she had one other request: “She said, ‘I’m going to want these two priest friends of mine to be with me in the soundstage at all times,’” Friedkin recalls, still with an element of disbelief. “So I agreed to all of that.”

McCambridge also performed most of the role while strapped to a chair, since that’s how the character was positioned in the movie — even though she later gave interviews saying that didn’t seem necessary to her.

“I tied her hands behind her back. And she would do the dubbing a line at a time, and often she would ask for more booze and more cigarettes,’” the director said. “What would happen to her voice is you sometimes hear a wheezing sound in addition to the words. That came out of her throat.

“You’ve experienced that when you’ve had a cold, and you have a sore throat and with the cough medicine, your throat will make several different pitches at the same time. That’s what happened with her.”

It was a brutal experience for McCambridge, however. “She’d come off a take and then go to a couch in the back where these two priests were and she would collapse in their arms and burst into tears,” Friedkin said.


Playing the demon pulled up some long-buried ones within herself.

9. Ellen Burstyn wrenched her back. Max von Sydow’s brother died on the actor’s first day of shooting. And Jason Miller’s young son, Jordan, was struck and nearly killed by a man on a motorbike. (He later recovered fully.) The film was also the last role for actor Jack MacGowran, who played the alcoholic filmmaker who meets a bad end. (He finished the role, but died from the flu before the movie was released.)

Though it all happened during the making of The Exorcist, Friedkin dismisses any notion the set was actually haunted. Instead, awful things that might have happened during the making of any movie took on a superstitious significance because of the subject matter of this one.
“There were only a couple strange things, out of the ordinary,” the director claims. “One day at 4 in the morning, I got a call from a production manager and he said ‘Don’t bother coming to work this morning. The set is burning to the ground right now as we speak.’”

The set, which was the interior of the home where Regan and her mother lived, was located in an old New York soundstage. Though the reason for the fire was never certain, Friedkin believes the cause had claws, wings, and a foul odor…

“It was an old building. There were pigeons flying around up there, and the theory [the insurance company] paid off on was that one of the pigeons flew into a light box,” Friedkin said.

Production was shut down for two months. A costly delay, although hardly the worst the devil has ever done.

10. It’s hardly a secret that Friedkin used subliminal imagery in the film to unsettle viewers, though he likes to say there are a lot of “bulls—t theories” out there.
The truth is, he used the sound of bees in some early sequences, which triggers an innate fear response in most people. You don’t know why you’re uncomfortable, but fight-or-flight is telling you something dangerous is near.

The buzzing of bees is a primal fear, but Friedkin said he also layered in “disturbing industrial sounds” in the background of the demon scenes, which also create a subconscious desire to back away from danger.

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The most notable subliminal trick is the “white face” that flashes for just a fraction of a second during Fr. Karras’ dream sequence about his deceased mother. That face, pictured above, was never meant to be fully detected by the audience. “You couldn’t catch it before VHS,” Friedkin laments. “And now you can stop the DVD and stare at it.”

The face is that of Linda Blair’s stand-in, and the make-up was Dick Smith’s first proposal for the little girl’s demon appearance, before they settled on the mutilation motif. “She had all white face and red lips,” Friedkin said. “I didn’t like the make-up for the demon, but viewed as a quick cut, it’s very frightening.”

As for other images people purport to see in the film …? Friedkin says that’s just power of imagination.

Unless, as the Rev. Billy Graham proposed, the devil really did makes its way into some frames of The Exorcist.

SOURCE

List of characters from Teen Wolf season 3 (possible spoilers)

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Jeff Davis is keeping up with his promise to share a Teen Wolf season 3 spoiler with us once a week until the premiere episode next year. This time around, he talks about the different eye colors in werewolves.
Just like last week, Davis seems to be sharing just about the bare minimum with us in terms of spoilers. But we suspect that they’ll get juicer the closer we get to the start of season 3.
Today he’s teased us with some information about the different eye colors we’ve seen in our favorite werewolves. Scott’s amber eyes were in contrast to Peter’s Alpha-red eyes, which were different from Derek’s (original) blue eyes.
At the end of season 2, when Jackson turned from the kanima into a werewolf, everyone pretty much assumed his blue eyes meant that he’d had the werewolf trait in him since he was born. We didn’t know much about his parents, after all, and his whole backstory was shrouded in mystery.
Well, it turns out we may have been wrong.
In a flashback episode, presumably the one that will be centering around Derek and possibly a hunter at the same time, we’ll learn more about why different werewolves have different eye colors. But here’s the trick (it is Halloween after all): “it has nothing to do with DNA or being a born werewolf.”
Um, what?
At the end of last season, everyone had assumed that because Derek had blue eyes before he turned into an Alpha, it was because he had been born a werewolf, not bitten. And since we didn’t know anything about Jackson’s real parents, fans assumed that he had blue eyes because he had actually been born a werewolf too.
Now that those theories are out, what guesses do you have as to why Derek and Jackson have blue eyes and Scott and the others have golden eyes?

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Guess who dressed as the nostalgic spirit of Halloween


Supernatural 8x06, Arrow 1x05 previews

How were the *HOSTS* with a bonus poll!

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"The X Factor" kicked off the live shows Wednesday night (Oct. 31) and in the process, introduced new co-hosts Khloe Kardashian and Mario Lopez . How do you think they did?

Lopez was good, we thought. Clearly at ease, not nervous and very charismatic. He does, however, have considerably more hosting experience than Khloe, so it would've been pretty surprising if he had been the weaker link.

And not that Khloe was bad. She wasn't. First off, she looked fabulous. We kind of expected her to tower over Mario, but she did not and that's even in some decently high heels, so it turns out Khloe isn't quite the tall as we thought -- Kim and Kourtney must be shrimps.

But hosting-wise, Khloe did pretty well, we thought. She was clearly nervous, but that's to be expected. To her credit, she actually got visibly more comfortable and relaxed as the show went on, so at least it won't be this whole big process of Khloe learning how to host.

We also thought Khloe was also 1000x less awkward than that doofy guy from last year whose name we can't even remember anymore. Awkward Interrupter Guy.

What do you think, "X Factor" fans? Do you agree with our assessments?

Earpiece source

AHS - 2.04 - I Am Anne Frank, Part 1 - Promo

Famous Musicians in Hilarious Halloween Costumes

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Happy Halloween, people! If you’ve ever wondered what Paul McCartney would look like as a cat, you’ve come to the right place. Let’s celebrate the day by looking at Halloween photos of famous musicians, shall we? We have Kurt Cobain as Barney, Justin Vernon as Garth, MGMT as the cast of Scooby-Doo, and more. Check ‘em out after the jump, and hit the comments to let us know who would win your costume contest.

The Beatles




Nirvana


The Flaming Lips


Van Halen


MGMT


My Morning Jacket


Justin Vernon (Bon Iver)


Yeah Yeah Yeahs


Superchunk


Snoop Dogg

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'X Factor': Emblem 3's Surprising Hollywood Connections

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The California surfer dudes have some juice in film and television.

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Ever since the Huntington Beach trio Emblem 3 performed their first audition song, "Sunset Blvd.," on X Factor, the group has presented itself as a couple of surfer dudes from a "small California town."



While the surfing part is definitely true, the group -- comprised of the forever shirtless Drew Chadwick and brothers Wesley and Keaton Stromberg -- has not yet revealed their surprising Hollywood connections. Namely, their father WilliamStromberg, a Grammy-nominated composer who has worked on A-list television shows like Lost, and their uncleRobert Stromberg, who has won Academy Awards for his work as a production designer forAvatar and Alice in Wonderland.

In addition to his work in art direction, Robert Stromberg is currently directing Angelina Jolie in her forthcoming film, Maleficent. His other credits on IMDb Pro include The Hunger Games, Water for ElephantsWall Street: Money Never SleepsShutter Island2012, Tropic Thunder and The Good Shephard.



William Stromberg had success as a conductor in the '90s with credits for the films Kate and LeopoldLegally BlondeElection, and The Cider House Rules.

The X Factor competitors come from quite a musical gene pool on both sides of the family. Their mother, Laraine Claire, is reportedly a composer and jazz harpist with a degree from the University of Southern California.

Emblem 3 are hardly the first X Factor contestants with Hollywood ties. Earlier this season, Gene Simmons' daughter Sophie Tweed Simmons impressed the judges at her San Francisco audition, but was later cut during the boot camp round.

Despite the fact that their group consists of three young male performers, Emblem 3 has continually stated that they are not boy band, but musicians. X Factor goes live on FOX Wednesday night.

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The font's all weird and it's bothering me but enjoy anyway! Also, not a fan of these guys, they bother me. 
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