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Jennifer Lopez is set to receive lots of millions for her ­upcoming flick.

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HOLLYWOOD star Jennifer Lopez is set to receive a ­whopping £9million for her ­upcoming Chilean miners rescue flick – while the victims are yet to receive a penny.

Lopez, 44, will join Antonio Banderas and Martin Sheen to tell the tale of the 33 men who, three years ago, were trapped underground for 69 days.


But family and friends of the miners are outraged because the movie, entitled The 33, has yet to pay out a penny to the real stars of the film – the men who survived the ­ traumatic ordeal.

Our insider said: “J.Lo is a big star and comes with a hefty price tag. Unfortunately a lot of the miners are incredibly poor.

“They were hoping this movie would help them live a better life but so far all it’s done is left them feeling isolated once again.”

The miners at the San José mine in ­Copiapó hoped to make millions ­following their incredible rescue, which was watched by the world in October 2010.

But the reality has seen some of the men forced to return to the mines.

Pedro Cortez, 25, the 31st man to be rescued, said: “People thought that because we were part of the 33 we would find work easily after the rescue. That didn’t happen.

“We looked for work for more than a year in both public and private companies and we got nothing.”

The desperate miners are now reaching out to Hollywood ­ producers for money as filming ­begins in Chile.

“They aren’t asking for millions of dollars but they feel they deserve something,” added our source.

It is thought the miners will receive a small fee but it will be ­pennies compared to what J.Lo will get, despite many of them living in squalor.


Three years after their rescue the ­miners say most of them are unemployed and many are poorer than before.

The most desperate have returned to mining while Víctor Zamora, 33, and Daríos Segovia, 48, are trying to make ends meet by selling fruit and ­vegetables.

“They made us feel like heroes,” said Edison Peña, 34, another miner, who is now having treatment in a ­psychiatric clinic.

“In the end, we are selling ­peanuts. It’s ironic, isn’t it?”

Banderas, 53, will play the role of Mario Sepulveda, 40, the charismatic miner nicknamed Super Mario, while Sheen, 73, will play a miner’s ­father. It is not yet clear which role Lopez will take. The new flick is due for release in 2014.

Source

#WORKBITCH



Beyoncé nearly pulled off stage by Brazilian fan

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The American Beyoncé had a scare on Sunday (15) during her presentation in São Paulo, at Morumbi stadium. After about an hour of show, when she sang the song "Irreplaceable" on a platform designed into the audience, Beyoncé was grabbed and pulled by a fan.

Security acted quickly and put her back on the stage, without the pop star losing her composure: "It's alright, it's alright," she said to the bodyguard, smiling. Then she turned to the fan that pulled her, asked his name and she added: "Pleasure to meet you."

UPDATED Video of the incident is below the cut.





SOURCE (article clip was translated!)

#WorkBitch reviews aka Your opinion is invalid

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Work Bitch already on iTunes



PopJustice:
"The most exciting bit is the middle eight which goes all epic and spacey with some proper hands-in-the-lasers lyrics."

http://www.popjustic...…-bitch/119889/

HollywoodLife:
"Brit is back sounding amazing with her new hit song, ‘Work B**ch,’ and we are so obsessed already. Honestly, we haven’t loved a song of hers this much since ‘Circus!’"

http://hollywoodlife...…w-song-listen/

EntertainmentWise:
"Go call the governor" - a phrase we suspect will become as synonymous with her career as the immortal "It’s Britney, b***h!".

http://www.entertain...…-Online-LISTEN

InstinctMagazine:

"Get out your headphones or find a club that’s open because Britney’s "Work Bitch!" has leaked and it’s a club banger!"
http://instinctmagaz...ea…aks?page=0,1

Muumuse:
“Work Bitch” reaffirms her position on the throne, and proves just why Britney is the best: We have never and will never have to worry about her musical output, because Britney Spears is the most consistent supplier of amazing pop music in the world.”

http://www.muumuse.c...09/daily…umuse

KickKickSnare:
"Move over Oprah. So what is the advice from Ms Spears on how to live a life like music videos and movies stars? Naturally, you betta ‘Work Bitch’."

http://www.kickkicks...…ars-work-btch/

GloPopMusic:
"We’re liking this one a lot, really. It’s at least a lot better than her Scream and Shout duet with Will.I.AM."

http://glopopmusic.c...…d-listen-here/

TheMagicCritique:
“‘Work Bitch’ is an incredibly different song than I think any of us were expecting. The beat isn’t straight-up EDM, but it’s got some urban flares that give it a really unique sound.”

http://www.themagicc...…ey-spears.html

ThatGrapeJuice:
"Britney Spears has done it again!"

http://thatgrapejuic...…ars-work-btch/

MOSuniverse:
"The new Britney Spears single “Work Bitch” TOTALLY ROCKS in a “current” EDM kind of way! This is going to be MASSIVE!"

http://mosuniverse.c...…rs-work-bitch/

MZ Hiphop:
"We don’t like to sugarcoat things. We are all about the real! And the truth is… Britney Spears’ new single, Work Bitch, is going to be a big hit!"

http://www.mzhiphop....B…s—-Work-Bitch

Hypable.com:
"Unsurprisingly, the song was designed for clubs. It has a grand finale finish that caps the song off nicely"

http://www.hypable.c...…wnload-stream/

Idolator.com:
"Early critics were right — that part of “Work Bitch” really is the best, albeit just one of several great quotable lines here."

http://idolator.com/...ears-work-bitch

Perez Hilton:
"Basically, everyone is going to be loving all over this HOT song."

http://perezhilton.c...….mcZCDCb6.dpbs

JonAlisBlog:
"Work Bitch” is a full-on club banger with Brit confidently sing-talking over a hot electronic driven beat that sounds like both everything and nothing on the radio."

http://jonalisblog.c...…ngle-premiere/

Tagroom:
"Couldn’t you just imagine yourself now in a club with everyone just shouting You better work B*tch!"

http://www.tagroom.c...…s-leaked-48511

Buzzfeed:
"In summary:"


http://www.buzzfeed....…rk-bitch-leaks


TheFrisky.com:
"It’s a total club banger and I am now even more excited for Brit’s next album of songs I can pretend to strip to in the privacy of my bedroom."

http://www.thefrisky...…-leaks-online/

The Huffington Post:
"The dance track takes a strong beat and has the 31-year-old singer repeatedly encouraging listeners to "get to work, bitch."

http://www.huffingto...…n_3930424.html

PinkIsTheNewBlog.com:
"The song is definitely a new sound for Britney … it has that Swedish House sound without really falling under the EDM label."

http://www.pinkisthe...…r#more-1222352

Celebuzz.com:
"So, who wants to go to the club?"

http://www.celebuzz....…ch-has-leaked/

Popdust.com:
"The track is everything we know and love about modern-day Britney: pulsing club rhythms (courtesy of executive producer Will.i.am), vocals that blend bad-bitch attitude and robotic authority, and the return of Brit’s inexplicable British accent."

Examiner.com:
"She promised something very different from what's been done in the past and delivers. Never has Britney been this forward and frank on a single before but she proudly embraces her inner grown woman, saying, 'I am the bad b**ch!'"

Entertainment Weekly:
"A lot has been made of the Katy Perry vs. Lady Gaga chart face-off this fall, but music fans shouldn’t count out OG pop queen Britney Spears in that fight."

Metro.co.uk:
"It may have been leaked early but at least Work Bitch seems to have been well-received by fans."

AccesHollywood.com:
"A catchy new song"

Cinemablend.com:
"As I suspected, “Work Bitch” is a catchy electronic dance track that will no doubt get ample play in clubs"

Arcadey.net:
"“Work Bitch” is one hell of a club banger"

Rolling Stone:
"The pounding dance track, which features mostly spoken lyrics, serves as a testament to the fine things a strong work ethic can bring about."

E!Online UK:
"Brit works and the song does not disappoint."

Slant Magazine:
"Work Bitch follows the current EDM model of painfully aggressive, treble-heavy beats, harsh synths, and tuneless hooks, but makes even "Scream & Shout" sound like a melodic feast."

DirectLyrics.com:
"The track is trance, pop, spacey, fist-pumping, massive, loud, infecious, catchy, and I could keep going with the adjectives. Britney's trademark singing, and the return of her British accent, complete the amazingness of "Work Bitch"."

Dhani Harrison and Alexa Ray Joel sing their fathers' classics for Gap

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Every once in a while we remember what's important. What matters. We go Back to Blue. In Gap's newest TV commercial, Dhani Harrison performs "For You Blue," a song written by his father, George Harrison. Dhani makes it his own.





Every once in a while we remember what's important. What matters. We go Back to Blue. In Gap's newest TV commercial, Alexa Ray Joel sings her version of father Billy Joel's classic, "Just the Way You Are." Alexa makes it her own.






Source 1& Source 2



Preview for Dexter series finale

WWE Night Of Champions Results

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Welcome to PWMania.com’s exclusive WWE Night of Champions results coverage. We have detailed match-by-match results, you can also enter your comments below.

WWE Night of Champions Results

The opening hype video for Night of Champions is shown featuring still photos of many of the WWE’s great champions from over the years.

The opening pryo goes off and Michael Cole welcomes us to the show. Justin Roberts introduces the COO of the WWE, HHH.

Michael Cole introduces Jerry “The King” Lawler and JBL as well as the Spanish Announce Team as HHH takes the microphone and welcomes us to Night of Champions. He announces that there will be no interference in the WWE Championship Match.

Paul Heyman and Curtis Axel come out and interrupt HHH, telling him that he has been trying to talk to him with no avail for the last week. Paul Heyman questions HHH’s decision to put him in a match with CM Punk. Paul Heyman begs HHH to change his mind about the match. HHH questions whether Paul Heyman truly believes in Curtis Axel. Curtis Axel brings up the fact that he beat HHH and he does not like that. He announces that Curtis Axel will defend the Intercontinetal Championship against the first person he comes across backstage…it’s KOFI KINGSTON!



WWE Divas Championship Match
AJ Lee (c) vs. Brie Bella vs. Natalya vs. Naomi


AJ Lee quickly tries to escape the match but is jumped by the other three Divas who all take turns throwing her into the barricade. Brie knees AJ in the face and she is out on the floor. Brie takes Natalya and Naomi down and knees them both in the face. Naomi with a dropkick to Brie. Naomi with a hurricanrana to Brie. Natalya and AJ are now in the ring and Natalya gets hit in the face with Naomi’s butt. Natalya with roll up on Brie for 2.

AJ shoves Natalya out of the ring but she quickly comes back and faces off with Brie. Natalya with a suplex and a bodyslam on Brie. Natalya goes for the Sharpshooter on Naomi but Brie stops it. There was a major referee screw up as Brie was laying ontop of Naomi and the referee just stood there. Natalya locks in a double sharpshooter on Brie and Naomi but AJ kicks Natalya in the head before locking in the Black Widow for the win.

WINNER and STILL Divas Champion: AJ Lee

We go to the Kickoff Panel, who discuss the World Championship Match, which is NEXT!

Rob Van Dam makes his way down to the ring with Ricardo whose arm is in a sling.

Alberto del Rio makes his way down to the ring with a black scarf around his neck and the World Championship around his waist.

Ricardo Rodriguez gives RVD his championship introduction while Lillian Garcia does it for Alberto del Rio.




No Disqualification Handicap Elimination Match
CM Punk vs. Curtis Axel and Paul Heyman


Curtis Axel and CM Punk start things off in the ring but CM Punk goes right for Paul Heyman, hitting him with a Suicide Dive. CM Punk brings in Heyman into the ring but waits to long to attack. Curtis hits him with a low blow and puts the fists to Punk. Axel whacks CM Punk with a Kendo Stick and goes to get a chair. Before he can use it, Punk hits him with a kick followed up with several elbows. Axel gets the advantage and puts the boots to Punk. Axel goes to the outside and brings out a table to the crowd delight. Axel sets it up in the corner and tries to suplex Punk onto it. Punk tries to do the same but Axel reverses with a suplex for two. Curtis with an elbow drop for two and locks in a necklock on Punk.

Axel goes for another elbow but CM Punk moves out of the way. Punk with a spinning heel kick and neckbreaker combo on Axel before he goes for the Running High Knee and Elbow Drop. Curtis moves out of the way of the elbow and hits Punk with a chair as he goes for Suicide Dive. Axel hits the McGillicutter for two. Axel once again begins to work over Punk with a Kendo Stick. Punk hits Axel with the Kendo Stick and follows that up with the GTS and the Anaconda Vice. Curtis Axel taps out and Paul Heyman immediately runs away from the ring with CM Punk giving chase.

Curtis Axel has been eliminated.

They are soon back in the ring and Paul Heyman is begging for his life. Punk is not hearing any of it and begins to nail Heyman with the Kendo Stick. Punk pulls out of pair of handcuffs from his boot and he locks Heyman arms around him. Punk begins to work Heyman over with the Kendo Stick again. Ryback comes out and spears CM Punk through the table that Curtis Axel set up. Ryback puts Heyman over Punk and scores the pin.

WINNERS: Curtis Axel and Paul Heyman

We are back to the WWE Kickoff Panel who discuss the upcoming matches.

The Shield make their way to the ring for their upcoming matches. Dean Ambrose vs Dolph Ziggler will be the first.

Dolph Ziggler make this way down to the ring to a good pop.



The Prime Time Players make their way out to the ring for their tag team match. Rollins and Reign came out after Ambrose defeated Ziggler.

WWE Tag Team Championship Match
The Shield vs. The Prime Time Players


Rollins and Titus start things off in the ring and Rollins goes for a crossbody but he is caught by Titus and simply toss aside with power. Young tags in and slams Rollins into the mat. Rollins is about to pull Young into the corner and tags in Roman Reigns who is sent to the floor. Rollins in off the blind tag and is met with a fierce elbow from Young. Titus tags in and stomps on Rollins in the corner while blowing on his whistle. Young is now the legal man and is getting stomped by both members of The Shield. Rollins has Young in the middle of the ring with a necklock and as he tries to get up he is met with a clothesline. A belly to belly toss by Young and he claws to get at Titus.

Titus begins to work over both members of The Shield. He sends Rollins over his head with his Fallaway Slam. Clash of the Titus by Titus O’Neil but Roman breaks up the pin.

As Young interferes, Reigns blazes through the ring and hits Titus with a spear. Rollins covers him with a three-count.


WINNERS and STILL Tag Team Champions: The Shield

A hype video for the WWE Championship Match is shown.

Daniel Bryan makes his way out to the ring to a MASSIVE ovation from the Detroit crowd.

Randy Orton comes out and makes his slow walk to the ring with the WWE Championship on his shoulder.

Justin Roberts is in the ring and gives the champion and challenger their introductions.

WWE Championship Match
Randy Orton (c) vs Daniel Bryan


Daniel Bryan and Randy Orton lock it up to begin the match. The WWE Universe starts their Yes! Chants and begin to annoying “The Viper.” Randy Orton hits a shoulder tackle onto Bryan and does his standard pose. Bryan gets to his feet and begins to kick Orton’s leg and back. Daniel Bryan goes for the 10 Count punch in the corner but Orton reverses into his signature backbreaker. Orton hits Bryan with several clotheslines in the corner and begins to strike with his signature stomps. Orton lifts Daniel up and plants him on the top rope. Orton puts a necklock on Daniel Bryan to slow things down. Daniel Bryan is nail with a clothesline for two after getting in a couple of punches on Orton.

Orton begins to stomp away on Bryan and send him into the corner for a 10 Count Punch. Orton mocks Daniel Bryan’s NO Pose but Daniel does his signature comeback clothesline and dropkicks Orton into the corner. Daniel Bryan with a Suicide Dive on outside and when Orton gets back into the ring he is nailed with a Missle Dropkick. Daniel Bryan hits a 2nd Suicide Dive but when he goes for the third, he is clocked with an elbow by Orton. Orton sets Bryan up with the Viper DDT on the outside and is able to get into the ring before a 10 count. We have a Ref Bump as Orton is dropkicked into the referee. Another referee is brought in as Orton hits his powerslam for two.

The Yes! Lock is locked in and the Viper is slithering toward the bottom rope, successfully breaking the hold. Bryan goes for another dropkick in the corner but misses, Orton goes for a cover but is only able to get two. Orton places Bryan on the top rope but Daniel is able to free himself and drops Orton into the Tree of Woe. Bryan begins to kick Orton in the gut and nails a running dropkick. Orton is up on the top rope now and he is sent to the mat with a suplex by Bryan, who locks his legs around the ropes and is able to lift himself up. A flying headbutt from Bryan only gets a two count. Orton sends Bryan down to the canvas with a T-Bone Suplex and goes for the RKO but Bryan reverses into this Knee Strike. The referee make a fast count and Daniel Bryan gets the win.

WINNER and NEW WWE Champion: Daniel Bryan

Daniel Bryan goes around ringside with HIS championship and poses with the WWE Universe. The show comes to a close with the new WWE Champion going up onto the stage and leading the WWE Universe in a Yes! Chant. The New Face of the WWE is the Man with the Beard!



more @ Source

Chris Pine Post (London Fashion Week) ft. Anna Kendrick

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At London Fashion Week 9-13-13












After Party/Dinner for show.






Event celebrating The September Issue of W Magazine. 9-14-13



***He's sporting longer hair because he's currently filming (or start filming, not too sure) Into the Woods directed by Rob Marshall. He's playing one of the Prince

Anna Kendrick on Fashion Shows, London, and Sweatpants



“I’m trying to work it all around my schedule, so after Julien Macdonald yesterday I went in and was recording songs,” said Kendrick. “It’s very, very fun because I get to be like a working woman – like, ‘I work hard and play hard’, kind of thing. I don’t get to feel that very often, because mostly I’m at home in sweatpants.”

But playing hard, it seems, just means going to shows. She’s not planning to attend any fashion week parties, or anything crazy like that. “Tomorrow we may be going to a low-key dinner thing... but it all gets a bit much,” she told us, scrunching up her nose.“Last night after I recorded, the princes in our film [Chris Pine and Billy Magnussen] were trying to get me to go out. I was like, I don’t know how you boys get the stamina, but I can’t handle it.”

Source
Source more pics @this source.
Source

Some Late Night "Sexay". Naked Ambition: 19 Bare-It-All Music Videos (NSFW)

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2-naked-music-videos-650-430

It's no secret that pop stars like to bare their bodies, whether it's on stage, on the red carpet, or in a music video. Yesterday (Sept. 9), good girl gone bad Miley Cyrus joined the ranks with her Terry Richardson-directed, NSFW clip for her poweful pop ballad "Wrecking Ball" -- and more than a few fans were bowled over by the former tween-queen's naked ambition. Big pop names like Katy Perry, Lady Gaga and Gotye left little to the imagination in their video hits, and we've also seen nudity (and controversy) pop up in videos from rock acts like the Flaming Lips and Sigur Ros. Check out our list of 19 not so sweet videos that aren't afraid to show some skin.

Robbie Williams, "Rock DJ" (2000)

British heartthrob Robbie Williams has trouble catching the ladies' eyes in a rollerdisco, so he strips off his clothes -- and eventually his skin -- to aid his cause. Some people will do anything for attention.




NSFW: The Flaming Lips & Erykah Badu, "The First Time Ever I Saw Your Face" (2012)

Erykah Badu and the Flaming Lips' extremely NSFW short for "The First Time Ever I Saw Your Face" made waves when it dropped -- much to the dismay of a very publicly-angry Badu -- in June. The footage switches between shots of the singer and her sister Nayrok Udab, fully naked in bathtubs, covering themselves in glitter and bodily fluids while Badu chants raw, haunting vocals. The video has since been removed by the Flaming Lips, but Lips frontman Wayne Coyne said that it might be remade, featuring Amanda Palmer.




Major Lazer, "Bubble Butt" (2013)

A trio of flat-backed party girls are visited by a big-booty monster that inflates their butts to balloon-sized proportions. Then they're taught how to twerk what they've just been blessed with in the club.




NSFW: The-Dream, "Pussy" (2013)

This clip, which is more like a trailer for a porno movie than a traditional music video, is a literal as they come. The-Dream is known for being a bit raunchy at times, but this clip takes it over the top with a woman really enjoying his music while in bed.




Alanis Morissette, "Thank You" (2002)

Alanis showed us everything we needed to know in this clip where she stands on street corners, takes public transportation and goes grocery shopping while naked as a jaybird. Luckily, her hair was long enough back then to avoid any FCC fines.




The rest @ the Source

d angelo how does it feel

What are your favorite "naked" videos ONTD? Remember, keep it sexay ;D

Miss New York crowned the new 2014 Miss America in Atlantic City; 2nd straight win for NY

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Nina Davuluri became the first contestant of Indian heritage and the second consecutive contestant from New York to win the Miss America pageant Sunday night.

Davuluri, 24, won the title as the nationally televised pageant returned home to Atlantic City.

She succeeds another Miss New York, Mallory Hagan, whose tenure was cut short when the pageant moved back to Atlantic City after a six-year stint in Las Vegas, where winners were chosen in January.

Davuluri performed a classical Bollywood fusion dance for her talent competition.

After the traditional frolic in the Atlantic City surf Monday morning, she will head to the scene of a devastating boardwalk fire in the New Jersey communities of Seaside park and Seaside Heights on Monday afternoon.

The pageant had pitted 53 contestants — one from each state, plus the District of Columbia, Puerto Rico and the U.S. Virgin Islands — in swimsuit, evening gown, talent and interview competitions.

“This is where we belong,” Sam Haskell, CEO of the Miss America Organization, told The Associated Press. “This is the home of Miss America, and this is where we’re going to stay.”

Much attention had been given to Miss Kansas, Theresa Vail, who is believed to be the first Miss America contestant to openly display tattoos. She has the Serenity Prayer on her rib cage and a military insignia on the back of a shoulder. While other contestants wore glamorous costumes and elaborately decorated footwear during Saturday night’s “show-us-your-shoes” parade on the Boardwalk, Vail wore camouflage gear and Army boots.

In a Twitter message Sunday, Vail wrote: “Win or not tonight, I have accomplished what I set out to do. I have empowered women. I have opened eyes.”

Vail made it to the Top 10 and won a nationwide voters’ choice award propelling her into the semi-finals.

Another noteworthy contestant was Miss Florida, Myrrhanda Jones, who made it into the top 5 while wearing a bejeweled knee brace. She tore ligaments in her knee while rehearsing her baton twirling routine on Thursday. Sunday night, she performed the routine flawlessly.

The pageant started in Atlantic City as a way to extend the summer tourism season for an extra weekend.

source

Magic Mike 2: Joe Manganiello Confirms He'll Be In The New Movie, Spills New Details!

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Joe Manganiello is ready to take it all off -- again.

The 36-year-old Magic Mike actor, who played Big Dick Richie in the popular film, dished some details on the upcoming sequel and said he will be returning.

"They are writing my character into the film, so I'll be back for Magic Mike 2," Manganiello told EnStars at the McDonald's New Mighty Wings launch in New York on Sunday night.

Although he hasn't seen the script yet, the sexy True Blood actor is excited to return to the film. "I probably had the best time I've ever had in my life working on that movie," he said.

Star and producer Channing Tatum - whose own stripper past formed the basis for 2012's breakout hit Magic Mike - is set direct the second stripper movie.

"It will be a road trip movie, and it will essentially be the movie that everyone thought the first one was going to be -- crazy and fun and less slice-of-life and less drama," he told The Hollywood Reporter. "The first one, we had to make not so cheesy and campy; this one we are going to swing for the fences."

No word on if the film's other original stars, Matt Bomer, Alex Pettyfer and Matthew McConaughey, will join the sequel.



Entarz

Jake Gyllenhaal: Gay rumors are a huge compliment

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Following in the footsteps of what seems to be every actor who has ever been on screen, Jake Gyllenhaal finally makes it onto "Inside the Actors Studio," where he reflects on his filmography with host James Lipton.

The hour-long chatfest premieres next week on Bravo, and during the course of the program Gyllenhaal talks about his life, and the films he's made, including the Oscar-winning gay classic "Brokeback Mountain."

Aside from the film itself he talks about his co-star and friend, Heath Ledger, and how his death "...felt like losing a family member, and it still does to this day."

After the critical and commercial success of "Brokeback Mountain" there came the inevitable questioning of Gyllenhaal's sexuality, since he plays a gay cowboy in the film. Gyllenhaal commented on the rumors during his talk with Lipton, and said, "It's a huge compliment," but what he prefers is "tits and a**."

Since his "Brokeback" days he has been romantically linked to a number of Hollywood starlets such as Reese Witherspoon and Taylor Swift.

His "Inside the Actor's Studio" appearance coincides with the release of his upcoming movie "Prisoners" which co-stars Hugh Jackman and is already receiving Oscar talk for multiple categories, including nominations for the cast.

Gyllenhaal's episode of "Inside the Actors Studio" premieres next Thursday, Sept. 19 on Bravo.

source

Sarah Silverman on the Ageist Jokes from the Franco Roast

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Sarah Silverman was W. Kamau Bell's guest on Totally Biased last night, and the conversation quickly turned to jokes made about her at the recent James Franco roast. Many of the jokes, and Totally Biased's response to the roast, focused on her age (she's an insanely young-looking 42), and she confided that she spent two days in bed "trying to remember [her] self-esteem" after the event:

Me being old, first of all, at the roast? — completely took me by surprise … Because it's personal, that is just so woman-based. I wasn't even the oldest one on that dais. I'm the same age as fresh-faced new star W. Kamau Bell! I feel like it's a part of, as soon as a woman gets to an age where she has opinions and she's vital and she's strong, she's systematically shamed into hiding under a rock. And this is by progressive pop-culture people! You know what I mean? It's really odd! I feel bad that it cut me. Because I should be like this about it (brushing her hand off her shoulder). I feel like your joke is that I'm still alive. My crime is not dying.

And I feel like, I just did this special and it made me think of something I said, which was — to so many women, especially when I watch Real Housewives — (muffled, through gritted teeth) which I watch, I wish I didn't, but I do — I just want to say, "Your heartbreaking attempts to look younger is the reason your daughter doesn't dream about her future!"



Watch the interview on YouTube
source

Drake & Jay Z's 'Pound Cake/Paris Morton Music 2' Hits Web As 'Nothing Was The Same' Leaks

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drake

Drake's "Nothing Was The Same" album sprung a leak on Sunday, as tracks began making their way to the web. One of the album's most highly anticipated tracks, "Pound Cake/Paris Morton Music 2," sees Drake complaining about how his high school classmates treated him and Jay Z saying he likes all black Maybachs but isn't racist ("insides whiter than Katy Perry's faces").

"Nothing Was the Same" is available Sept. 24 in stores and digital retailers. You can pre-order the album on iTunes.

Jay ends his verse with a bloated version of Kanye West's "sunglasses and Advil, last night was mad real." (Jay's version: "Last night was mad trill, I'm fresh out of Advil, Jesus grab the wheel."

"Paris Morton Music" is the name of a model whom Drake already named an earlier track after.


source

Another Big Brother Contestant Loses Their Job.

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Andy Herren Fired By College of DuPage on Facebook: Big Brother 15 Houseguest No Longer A “Professor”


Andy Herren has gotten himself into big trouble and we are not talking about inside the Big Brother 15 house. The College of DuPage has confirmed via Facebook that Andy is fact no longer working for them and is unemployed.

The self-proclaimed “professor” has made various racial slurs, although not as bad as fellow houseguests, Aaryn Gries, Ginamarie Zimmerman, or Amanda Zuckerman, it was enough for the college to put their foot down and say they have had enough. Andy is not the only houseguest to lose his job, Aaryn was dropped from her modeling agency and GinaMarie was also fired.

Rumor has it that Andy even lied about being a Professor as he has not been working at college teaching long enough to have earned the title – Andy was a part-time instructor.
For the most part, Andy was not the most vocal in the house until recently when Elissa left and Andy has been slandering her non stop with such comments as “I would punch her in the throat.“ But after GinaMarie referred to some evicted houseguests as “biracial robots who aren’t human,” Andy chimed in, “Yeah, the robotic biracials.”

College of DuPage posted on their Facebook page Friday, “Andy Herren has formerly worked for College of DuPage as a part-time instructor. He does not currently work for the College. Any behavior or language he uses on the CBS reality show “Big Brother” does not represent the opinions or values of College of DuPage.“
CBS and Big Brother have really not done that much to respond to the horrible and disgusting behavior of the houseguests, unless their name is Aaryn. The fans posted many petitions and with the firings we can see that at least the public cares about the message Big Brother 15 is implicitly sending to youth about racism and bullying – even if CBS doesn’t.

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Newsroom Finale Recap

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The following recap, by definition, contains spoilers for Sunday’s season finale of The Newsroom. If you haven’t seen it yet, scoot! Everyone else, read on.


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Here’s a technique that may help you reconcile any unsettled feelings you have about The Newsroom‘s Season 2 finale: Think of the hour as the conclusion to a musical.

Take a minute to let the idea sink in. In a musical – particularly the old-school ones of which creator Aaron Sorkin is so fond – it’s not weird when two characters who’ve done little but pester each other for hours on end suddenly have an over-the-top kiss.

When they propose (and accept!) marriage, you don’t think, “Wait, shouldn’t you slow things down a little?” When all of the leads come to a feel-good reconciliation just in time for the final number, you don’t shake your head and think, “Well, that seems unlikely.”

When the shy young ingénue finally finds her pluck, you don’t scoff at her mullet-in-the-making and come up with a ballpark total of her future therapy bills. You just sigh in contentment and hum along with the reprise.

So, consider the events of “Election Night, Part 2″ as a sweet (if improbable) coda to the HBO drama’s sophomore season. Otherwise, the episode seems like a too-neat tie-up of a season that was, at turns, wonderful and laughable. With that in mind, let’s raise the curtain on the major developments that took place in this week’s episode.

STAND BY YOUR MAN | We pick up at 9 pm on Election Night, with Will, Elliot, Taylor and Sloan on the air. A Genoa-shy MacKenzie, Don, Jim, Maggie and Charlie have decided that the Petraeus story raised in the previous episode is not as newsworthy as the story they were asked to hold in its place, so they’re running with the hypocrite who denounced Missouri Rep. Todd Akin. (At least Charlie has the good sense to feel bad about the cowardly call later on.)

Taylor takes advantage of some downtime to ask Will’s permission to approach Jim. “About what?” Will asks, oblivious. She’s setting up a media consulting firm, and she wants Harper to come aboard. Will’s confused; Jim just signed a new contract, he says, which means he’s going nowhere. Taylor apologetically replies that she heard the senior staff was resigning over the Genoa kerfuffle. “Where did you hear that?” he demands. “From the senior staff,” she says.

If I were Jim’s boss, he wouldn’t have to resign: I’d fire him for egregious newsroom Skyping with his girlfriend – who, by the way, works for a competing media outlet. In fact, he’s making googly cyber-eyes at her (doesn’t he have a race to call prematurely or something?) when Maggie summons him to a quick staff meeting. After the ladies exchange quick, fake-nice hellos, Hallie makes sure Jim knows that Maggie’s new ‘do is no Supercuts special. “Cutting off your own hair – that’s alarming,” she says, low-voiced and concerned. So is day-drinking and a complete change in personality, but neither of those changes in Ms. Jordan have lit much of a fire under Jim’s tush before now, have they?
In the studio, Will gathers everyone who was involved in the retracted story and forbids them to quit on behalf of Charlie, Mac and himself. “The whole reason we’re trying to resign is to allow the rest of you to continue to do what we started without the burden of Genoa,” he says, then adds that when he leaves, Elliott will take his spot, with Don will take Mac’s, Sloan will anchor the 10 pm broadcast and Jim will be her EP. Absolutely no one in the room is on board with that plan. After all, “There are principles of… principle here,” Don notes, passionately if not eloquently. “Who put all this in your head?” Will asks. “You did,” his former executive producer answers. Will’s totally going to cry but then makes a joke about how he’s not going to cry, then they all go back to work.

As the anchors prepare to go live once more, Sloan murmurs that Will insulted the team a little by assuming they wouldn’t stand by him. Why’s that? he wonders. “Because you insulted me a little,” she says. Aww.

DECISION 2012 | Upstairs at Reese’s schmancy elections-night viewing party, Leona is high again – and loving it. Charlie is neither stoned nor in a good mood as he tries to get his baked boss to agree to accept his resignation – so he’s immune to some of her other (awesome) ideas, like splitting a pizza and reuniting the Allman Brothers. Finally, she offers up some pertinent information: She’s left the decision about how to handle Jerry’s suit – and everything that goes along with it – up to Reese, who’s out for a walk while he decides how to proceed.
Charlie knows that Reese wants to settle out of court; you can see him slump a bit as he realizes that the resignation for which he’s so strenuously advocated is about to become reality. A bit out of sorts, he clumsily bumps into a cater waitress and knocks her entire tray of Champagne flutes to the ground. Oh hey look, it’s Maggie’s roommate/Jim’s ex Lisa! Of course she just happens to be there to drop wisdom on her former boyfriend… I mean, pick up a little extra money. (I’m getting ahead of myself.) Lisa nervously asks Charlie, who recognizes her, not to mention her presence to Jim. But when someone at the party tweets a photo of the sparkling spirits destruction, Harper finds out anyway.

JIM MAKES AMENDS | Jim flies upstairs, where Lisa greets him with an honest assessment of glassware (“The center of gravity on Champagne flutes is too high”) and a repeated plea to leave her alone. He ignores it, tailing her through the party and nearly getting her fired. Jim Harper: the greasy-haired gift that just keeps giving. Lisa breaks my heart a little bit when she says she’s “smart enough to know I’m not smart enough” for him – we are talking about the man who was physically bested by both luggage and a door (twice) last season, right?
Anyway, Jim’s slightly chagrined by Lisa’s estimation of him, but he’s got shaggier fish to fry: “Did Maggie cut her own hair?” he demands. Lisa says she isn’t sure (though the clipped locks she found on the bathroom floor were a tip-off), inadvertently revealing that she also doesn’t know what Maggie experienced in Uganda. Jim respects Maggie’s privacy enough not to spill all, but urges Lisa to talk to her roomie.
On another call to Hallie, Jim asks if he ever makes her feel stupid, if he’s blowing their relationship the way he messed up his with Lisa. “First of all, you’re not smart enough to make me feel like I’m dumb,” Hallie replies (heh), “and I really like you, too. You’re not blowing it.” The exchange is so cute, I’m just going to pretend that Jim doesn’t ask her to tweet a story Neal wrote as if he were Hallie (it’s related to MacKenzie’s Wikipedia freak-out from last episode), and I’m really not going to get into the fact that Hallie eventually rewrites the puff story under her own byline and tweets it as a thank-you for the Romney interview early in the season.
Later, as Jim and Maggie are monitoring the election he accidentally called too early, he mentions her hair and she admits to hacking and dyeing because the cut and color reminded her too much of little Daniel. Jim goes all Good Will Hunting on her with the “It’s not your fault” stuff, but she’s not comforted. “There’s a difference between being tough and wanting to be,” she says, using him, Mac and Don as examples of the former. “I wanna be,” she says. “You are,” he replies, and I know the moment should feel uplifting… but it feels overwrought or set in the wrong place or just somehow off to me. (Tell me I’m wrong in the comments.) They also talk about the moment Maggie first noticed Jim – it was on his first day at ACN, when he investigated a yellow iNEWS alert even though no one else cared. “You couldn’t help yourself,” she says, smiling. Keep that in mind, everyone; it’ll matter in a while.

SLOAN SOLVES THE CASE |An update on the whole Sloan-didn’t-really-sign-her-book thing: Neal has tracked down the buyer, but he doesn’t think Sloan will be happy. “Was it bought by an inmate?” she asks seriously. “I have a small, slightly disturbed following among white-collar criminals.” (Ha!) The silent auction sheet from the Hurricane Sandy benefit shows that someone used names of characters from musicals like The Sweet Smell of Success and The Secret Garden to drive up bids for Ms. Sabbith’s boring economics book – ostensibly to save her from the embarrassment of no one wanting to buy it. Cut to Sloan in Don’s office a while later, when she realizes that he’s got a Sweet Smell poster on his wall…

And then prepare yourself for some Olivia Munn awesomeness as Sloan marches into the control room, signs the book she found in Keefer’s possession, kisses him full on the mouth in front of everyone, slaps the book against his chest and sashays on outta there with a contented smile on her lips. It. Is. Fantastic. When Don recovers, he calls out, “What I have can’t be taught!” but Mac hushes him up and demands that everyone get back to work. Munn decidedly is this season’s MVP, with Marcia Gay Harden sliding in a close second. On a related note, when in the heck did I start rooting for Don?

YOU ONLY HURT THE ONES… |
Back at election central, Mac and Will step away from the coverage to give Don, Sloan and Elliot an unwanted chance to shine. Mr. McAvoy and his recently fired EP retire to the hair-and-makeup room, where their conversation moves from a recent wrong (her saying he should fire her because of his vanity) to their long-over romantic relationship (“Are you sure you didn’t tell me” about cheating on him “because you wanted to break up?” he asks, and she answers with the lowest of low-brow retorts, classed up only slightly by her accent: “Are you sure you’re not just a massive bag of douche?”). Is it possible to cringe-laugh? If so, that’s what I just did.
Will hits her hard when he apologizes for the engagement ring being “a practical joke.” (Watch Emily Mortimer as Will continues to talk, especially when he says he returned the ring that day; Mac’s destruction has its way with her finely boned face.) “I brutally hurt you, and that’s a fact. But in my lifetime, I’ve never done it intentionally,” she says, and Will is chastened… but things are not OK as they return to the studio.

CHANGE OF HEART | Much later, Charlie does a complete reversal and tells Will they’re not going to resign after all. “Except for the things we did wrong, we did everything right,” Will says, and then nearly goes into a fugue state as he realizes that the sentiment also applies to MacKenzie re: their relationship. “The rest was me,” he says, digging for the key to his desk drawer and pulling out the ring. (Side note: You have a safe, Will. Use it!)

He runs around the network, bellowing for Mac and finally finding her in the studio. He pulls her aside, away from the cameras, and gives her a long, rambling, touching and very in character admission about the ring: “I didn’t return it, because I’m in love with you, and will you marry me?” MacKenzie gets points for replying with the only logical response: “What the f—k is happening right now?” (Heh) So Will says:
“Let me just say, I think you should. I think you should say yes. But no matter what you say, there’s no chance I am ever gonna hurt you again. And no matter what you say, I am gonna be in love with you for the rest of my life. There’s no way out of that. That’s just a physical law of the universe. You own me. No matter what you say, I will never stop.”

When she agrees, he breathes a very relieved “Thank God,” and nearly knocks her over with his kiss. Edward R. Murrow help me, I loved this scene.

THAT GREAT BIG BROTHERHOOD OF MAN | Out in the newsroom, Reese announces that he’s not going to settle with Jerry and/or accept Charlie, Mac and Will’s resignations. Charlie says they weren’t going to resign anyway. “History should reflect that I acted admirably,” Reese maintains. Will and Mac interrupt the bickering when Will booms out that they’re getting hitched. The declaration is no Ron Burgundy shouting “Veronica and I are gonna get married on top of a mountain!,” but it might as well be from the way the entire room looks at the pair in shock. But soon they’re all clapping and celebrating. Maggie and Lisa are talking. Leona’s got her feet up on one of the desks. Don and Sloan share a significant look, Reese is dating a Rockette and all is well in the word.

Then, an iNEWS alert goes off and no one – except for Maggie — notices. We’re supposed to think this is the start of her being tougher, stronger and more intrepid… but is it too much to hope she’s also about to track down whatever happened to Will’s death-threat storyline from last season? Because that’s a story I’d put in the A block.


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Mariah Carey Posts Pic Of Kids - Son Wearing Girls Clothes + Natural Hair

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Mariah Carey posted the following picture with the caption: Watching "The Croods" while anxiously awaiting Daddy's arrival! @nickcannon"

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In the picture her son is wearing his natural hair, and what appears to be girls clothing. Is Mariah turning both kids into little divas, or is she just letting him express himself?

You tell us!

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Michelle & Jim Bob Duggar Give Daughter Jessa Dating Advice: Don’t Make Our Same Mistakes

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Michelle and Jim Bob Duggar are thrilled that their daughter Jessa has started “courting” a young man and after 29 years of marriage they are hoping that she will learn from both their successes and their mistakes.

The 19 Kids and Counting stars are back for another season of their TLC reality show and the parents exclusively told RadarOnline.com that their daughter is “getting to know” her new boyfriend.

“Jessa and Ben [Seewald] have been together for a couple of months and they’re getting to know each other,” Jim Bob said about his 20-year-old daughter and her new beau.


The conservative family’s daughter is “courting” Ben and her parents have encourage her to get to know him on a deeper, spiritual level.

“Both of them love studying the Bible and he is thinking about becoming a pastor. They have similar interests and are really a match made in Heaven,” Jim Bob said.

He explained that Jessa and Ben have been “asking a lot of other young couples about their standards and the directions they went. They are learning about having a spiritual relationship.”

The “courting” process that the Duggars practice doesn’t encourage a physical relationship before marriage and Jim Bob explained he and Michelle shared the mistakes they believe they made in their marriage and hope that their children don’t make the same ones.

“We hope they save they physical for when they are married. When Michelle and I were dating we took things father than we should have and we regret that. We hope they hold off on any physical aspect until they’re married and that they focus on their spiritual relationship.”


Michelle told RadarOnline.com that it is exciting to see her daughter “being mature in her conversation.”

She said that Jessa and Ben decided not to even hold hands in their relationship and that she has developed these strong ethics in her children over time.

“We have long conversations and talk about how we do two things. One, we serve the Lord, and two, we serve other people.”


Michelle said that she would love to attend her daughter’s wedding but that she certainly isn’t going to make any decisions about that in the near future.

“We don’t have a timeframe at all,” Jim Bob said about their relationship plans but said Ben “fits with our family and he will make a great husband for Jessa.”

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Jessica Chastain Being Adorable With A Fan + A New "Eleanor" Review

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An ambitious and gently heartwrenching drama from debut director Ned Benson, The Disappearance Of Eleanor Rigby: Him And Her may well be a challenge in terms of marketing and distribution, but it is film that should intrigue and entrance audiences, as this two-part story tells the tender and traumatic love story of two people (James McAvoy and Jessica Chastain) as seen from two subtly different perspectives.

The Disappearance Of Eleanor Rigby: Him And Hercan be released and seen as two separate films, but equally – and perhaps the better option – is that it is viewed as one relatively long film experience, and one that allows the viewer to really appreciate the ambition and subtle moments the film has to offer. As to which version is shown first is likely up to each different distributor (in Toronto it shows in both variations, though Him before Her is the most logical version) but whatever the decision, little can be taken away from he emotional impact of the film.

The challenge – and oddly the fun – of the film is spotting the differences in how same events are viewed by two people. Sometimes these are slight differences in how conversations emerged or were inflected or what clothes were worn at a certain occasion. But while the tone, are structure are excellent, what drives the film are the series of splendid performances, with Jessica Chastain (also a producer here) quite wonderful as a women trying to reevaluate her life after a traumatic incident.

After a terrible hits their lives, the strong marriage between restaurant owner Conor (McAvoy) and returning student Eleanor (Chastain) starts to crumble. After an incident that sees her hospital-bound for a while, Eleanor decides to walk away from their marriage and asks Conor not to look for her.

As the two try to re-think their lives – spending times with their respective families and friends and talking round (rather than about) what happened to them – with Conor unable to resist looking for Eleanor. He tracks her down, and while initially angry she also comes to realise he is a vital part of her life and visits him at the restaurant. But despite their clear affection they also seem to be at tangents and can’t quite find the time, place of emotion to bring themselves back together again.

Watching both films back-to-back is part intriguing puzzle and part heart-wrenching emotional drama. Both are gently different films that offer different perspectives of the same story and watching them back-to-back is a fascinating delve into a sad story. While in Him there is more emphasis on anger, disbelief and confliction emotions as Conor tries to find Eleanor while also bonding with his father (Ciarán Hinds), in Her the film follows a sad woman, seeking solace with her parents and sister (Isabelle Huppert, William Hurt and Jess Weixler) and seeking to reinvent herself.

The support cast are all excellent – it also includes Bill Hader as Conor’s best friend and restaurant cook and Viola Davis as the tutor who befriends Eleanor – and help provide the perfect back-up for smart performances from McAvoy and Chastain. While he is impressive, to a degree Chastain has the more complex and nuanced role, and she shines as a woman deeply traumatised but bold and strong enough to try and reinvent her life.

Spotting the subtle variations in memory (particularly memorable is scene where they take a rambling drive together, he wears a different shirt in each version and they have different memories of their vital conversation together) is one of the pleasures of The Disappearance Of Eleanor Rigby: Him And Her. The running time feels appropriate rather than problematic and the time spent with Conor and Eleanor (the link to the The Beatles song is referenced, but never exploited) is an enjoyable and moving film experience.



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That video made my day.

Brooklyn Nine-Nine Series Premiere Review: A (Cop) Case for Comedy

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One of the biggest problems with network comedy is predictability. You got your family sitcoms where the dad is like, "Get me outta here!" and the daughter wants to date bad boys and the mom cocks her head and puts her hands on her hips and the son is stupid. You got your generational rom-coms, where a group of young friends navigates the dating world and hooks up with more people than is sanitary and one of the friends is stupid. You got your "workplace" comedies where the weird guy, the charming guy, the sweet girl, the macho dude, the uptight cat lady, and someone who is stupid all work together. Network comedies don't go much further than those three formulas, so it's no wonder that the genre has shown little innovation in the last five years.

But one comedy genre that we haven't really seen much of is the half-hour action comedy (Fox's 2010 The Good Guys never got a fair shake, Breaking In had some sleuthy stuff going on, and Chuck was an hour-long dramedy), and that's what gives Fox's new series Brooklyn Nine-Nine the appearance of freshness. Set in a New York police precinct and on the crime-ridden streets of the city, Brooklyn Nine-Nine dips its toe into the action-comedy genre and that's enough to make it stand out from the rest of this season's new laffers and the omniscient trend of parents moving in with their adult children or divorcees hitting the dating scene again. And that was enough to make me like it and get over my irrational hatred of star Andy Samberg.

As a safety net, Brooklyn Nine-Nine also functions as a workplace comedy with the usual suspects. Samberg is hotshot detective Jacob Peralta, Melissa Fumero (One Life to Live) is the uptight, competitive, sexy detective—not to mention the object of Peralta's loins—Amy Santiago. Andre Braugher is fantastic as stoic new-to-the-precinct captain Ray Holt. Frequent TV sidekick Joe Lo Truglio is the office idiot. Stephanie Beatriz is the Aubrey Plaza type using lethal force as scary detective Rose Diaz. Terry Crews is the nervous bag of muscles as Sergeant Terry Jeffords. And Chelsea Peretti is the early scene-stealer as administrator Gina Linetti. That's a solid cast right off the bat, and many of them act like they've been doing this for years.



It appears that Brooklyn Nine-Nine will crack a case each week in addition to serving up workplace comedy hijinks, and that's fine by me because the show has found a tone that works, combining a slight parody of the cop drama with a complete lack of seriousness that recalls the humor of the '80s and '90s comedy golden age. And if nothing else, cases-of-the-week get the cops out of the office and into a world full of buffoonish criminals and goofy witnesses, where the jokes are endless. Fred Armisen's Kaufman-esque cameo as "M-L-E-cray" was the funniest bit in the pilot, and it's easy to see Brooklyn Nine-Nine using this sort of drop-in gag to its advantage moving forward. But there's also something consistently amusing about cops cracking wise while hovering over a dead bodyor trashing a deli in pursuit of a ham-hawker. This type of formula works great in feature films, why can't it work on television? Well, if Brooklyn Nine-Nine keeps doing what it did in the premiere, it should succeed.

I wouldn't say the pilot was non-stop hilarity, and it often relied on Samberg showing some skin for cheap laughs (OMG he's not wearing pants!), but there's an good cast here that's very likable and will improve. As we get to know the rest of the characters, I'm counting on the series to tone Samberg down a little. And what makes Brooklyn Nine-Nine probably the best new comedy of the fall season is that its formula is just different enough from everything else on the schedule to break it apart from the pack.


CASE NOTES

– Fumero probably could use a little more time getting used to this comedy thing. She looks like she's about to laugh during every scene. Also, let's hope her character becomes more than just a device to set up Peralta's zingers.

– I loved the "twist" that Ray was gay. And I love that it was played like, "So what?" Very unexpected, but also very matter-of-fact.

– One problem with the structure of bouncing back and forth between police work and the office is that Gina won't be out in the field, and she's arguably the funniest character of the bunch.

I thought it was one of the better comedies. Kind of like watching an extended SNL skit that was actually fun to watch the whole time. Andre Bauer is the best "straight" man in a while. There wasn't anything problematic that I could tell which is saying a lot when there is a man who is both gay and black as one of the leads. I preferred it over the other comedies on Fox tonight (none of which made me laugh as much w/the notable exception of Winston on New Girl)

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Thandie Newton's new beauty website: who is it for?

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The co-creator of the new site ThandieKay, Kay Montano, explains why it's far more than a beauty site for mixed-race women

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Early last year, makeup artist Kay Montano published an interview with British actor Thandie Newton, in which she spoke for the first time about forgoing relaxers (chemical straightening) and letting her hair grow out naturally. The response was immediate. "I got more hits than I've ever got," says Montano. "It was on the Today show on US television. I got asked to go on to the BBC to talk about it. And all these beautiful comments from readers! That's when I realised – there's something here.Beauty can be used to make you feel better about yourself, instead of worse."

From that single piece – and an eight-year friendship that started when the two women met on a shoot for Vogue magazine – came an idea for a wider project. The result, 18 months later, is the website ThandieKay.

But is this site, created by two mixed-race women, a response to the largely white-dominated media that pushes a certain aesthetic over others? Not exactly, says Montano. "It's not a 'mixed race' site. We're not going to exclude anybody." She sees the site as a sort of Rookie magazine, the popular American online magazine for teenage girls created by fashion blogger Tavi Gevinson, but with an older readership. "In America, there's a strong – I wouldn't call it a subculture, it's somewhere in between subculture and mainstream – culture online."


When I ask Montano to expand on what the site is about, she asks me what my background is; my parents are Nigerian. "So you're a 'first-borner', like Thandie and me," she replies. "You've got parents born somewhere else."

Her father is from Trinidad, while Newton's mother is from Zimbabwe. "But we had different experiences of being mixed-race in this country," she continues. "Thandie grew up in Cornwall – her parents met in Ghana – with her little brother, and there were no other black people around." She thinks that the experience worked in Newton's favour: "She has a heightened awareness – you don't have the luxury of just being able to instantly belong." Montano herself grew up in west London: "In the 1970s and 1980s, nobody of colour or mixed race could grow up in a better place," she says. Despite being called racist names in her overwhelmingly white primary school, she says: "In my experience, everyone was reflected when I was growing up. I was post-'black is beautiful'."

She feels that things have got less inclusive over the years. "For me personally, now in my mid-40s, and in the fashion industry and being hyper-aware of media and manifestations of women, what I notice now, what I feel is lacking is what I grew up with," she says. "What bubbles up to the surface in a media culture like ours is only going to be the most bland and ordinary. Unfortunately, anything that is ever so slightly minority just doesn't get reflected. Women come in all shapes and forms and all of these things are on the same bar, and one is not more important than the other."

In addition to tutorials, the site will include beauty Q&As. "People can give a lot away in such an intimate space," says Montano, as well as features. They have spoken to Oscar-winning Pakistani-Canadian director Sharmeen Obaid Chinoy and Orange prize-winning Nigerian author Chimamanda Ngozi Adichie.

ThandieKay is an attempt to reclaim the beauty mantle from those who label it as silly or frivolous. "Beauty is the Trojan horse," says Montano. "The whole idea of beauty as a ritual has been completely taken over by the idea that you're just doing it to attract men, or to look younger, or that you're buying into regressive ideas, or that you're not a feminist. It's a lot of baggage. But men do it, animals do it. We're not going to get into the arguments, we're just going to present ideas."

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