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Oh No They Didn't! - LiveJournal.com

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    The six-part limited event series Guerrilla, a love story set against the backdrop of one of the most politically explosive times in U.K. history. It tells the story of a couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in 1970s London. Their ultimate target becomes the Black Power Desk, a true-life, secretive counter-intelligence unit within the Special Branch dedicated to crushing all forms of black activism.

    It hits Showtime on April 16, 2017.

    source

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    *Apple Music has picked up the rights to a version of the popular Late Late Show segment for streaming on Apple Music exclusively.

    *James Corden won't be the host--it will instead feature a rotating lineup of celebrity drivers

    *16 half hour episodes will stream later this year, each combining singing and the celebs interviewing each other.

    *Some pairings included in the preview shown at this year's TCA's include: Billy Eichner with Metallica, John Legend with Alicia Keys, Chelsea Handler with Blake Shelton, and Seth Macfarlane with Ariana Grande. Corden will appear in one episode with Will Smith.

    *The Late Late Show will continue to produce their own version of Carpool Karaoke for the CBS series.

    Source

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  • 01/10/17--07:02: Powerless Promo


  • Emily Locke lands her dream job as Director of Research and Development for Wayne Security in Charm City, home to super heroes and villains and citizens fed up with the collateral damage of their constant fighting. Full of confidence and big ideas, Emily quickly learns that her aspirations far exceed those of her new boss and officemates, so it will be up to her to lead the team toward their full potential and the realization that you don’t need superpowers to be a hero.

    source: 1

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    • The tone will be fun rather than dark

    • Rey, Finn, and Poe will each be facing an extremely difficult challenge (the fun kind, I guess?)

    • Rey and Luke have a strong connection and "familial themes" continue to be central to Rey's story

    • Rian is a Luke fan and the question of what's been going on with Luke is at the heart of the film

    • Episode VIII has a title already but he won't say what it is



    Source

    On a scale of 1 to 10 how excited are you to hear Luke Skywalker speak?

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    "The parties and their counsel have signed agreements to preserve the privacy rights of their children and family by keeping all court documents confidential and engaging a private judge to make any necessary legal decisions and to facilitate the expeditious resolution of any remaining issues. The parents are committed to act as a united front to effectuate recovery and reunification."

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  • 01/10/17--09:47: PGA Nominations
  • the big 3



    One of the awards season’s marquee events, the Producers Guild Awards celebrates the finest producing work of the year, and gives the Guild an opportunity to honor some of the living legends who have shaped our profession.

    Considered a strong prognosticator for the Best Picture Oscar®, in recent years, at least seven of the PGA nominees each year were also nominated for Best Picture; and in 2010, the group picked nine out of the eventual ten Best Picture selections.

    The 28th Annual Producers Guild Awards will be held at The Beverly Hilton hotel in Los Angeles, on January 28th, 2017.


    FILM

    Arrival
    Deadpool
    Fences
    Hacksaw Ridge
    Hell or High Water
    Hidden Figures
    La La Land
    Lion
    Manchester by the Sea
    Moonlight

    TV (previously announced)

    David L. Wolper Award for Outstanding Producer of Long-Form Television
    (Encompasses movies of the week and miniseries)

    Black Mirror (Season 3)
    This show is in the process of being vetted for individual producer eligibility

    The Night Manager (Season 1)
    Producers: Simon Cornwell, Stephen Garrett, Stephen Cornwell, Hugh Laurie, Tom Hiddleston, Susanne Bier, David Farr, John le Carré, William D. Johnson, Alexei Boltho, Rob Bullock

    The Night Of
    This show is in the process of being vetted for individual producer eligibility

    The People v. O.J. Simpson: American Crime Story (Season 1)
    Producers: Scott Alexander, Larry Karaszewski, Ryan Murphy, Brad Falchuk, Nina Jacobson, Brad Simpson, D.V. DeVincentis, Anthony Hemingway, Alexis Martin Woodall, John Travolta, Chip Vucelich

    Sherlock: The Abominable Bride
    This show is in the process of being vetted for individual producer eligibility

    Outstanding Sports Program

    E:60 (2016)

    The Fight Game with Jim Lampley: A Tribute to Muhammad Ali

    Hard Knocks: Training Camp with the Los Angeles Rams (Season 11)

    Real Sports with Bryant Gumbel (Season 22)

    VICE World of Sports (Season 1)

    Outstanding Digital Series

    30 for 30 Shorts (Season 5)

    Comedians in Cars Getting Coffee (Season 7, Season 8)

    Epic Rap Battles of History (Season 5)

    Marvel’s Agents of S.H.I.E.L.D.: ACADEMY (Season 1)

    National Endowment for the Arts: United States of Arts

    Norman Felton Award for Outstanding Producer of Episodic Television, Drama

    Better Call Saul (Season 2)
    Producers: Vince Gilligan, Peter Gould, Melissa Bernstein, Mark Johnson, Thomas Schnauz, Gennifer Hutchison, Nina Jack, Robin Sweet, Diane Mercer, Bob Odenkirk

    Game of Thrones (Season 6)
    Producers: David Benioff, D.B. Weiss, Bernadette Caulfield, Frank Doelger, Carolyn Strauss, Bryan Cogman, Lisa McAtackney, Chris Newman, Greg Spence

    House of Cards (Season 4)
    Producers: Beau Willimon, Dana Brunetti, Michael Dobbs, Josh Donen, David Fincher, Eric Roth, Kevin Spacey, Robin Wright, John Mankiewicz, Robert Zotnowski, Jay Carson, Frank Pugliese, Boris Malden

    Stranger Things (Season 1)
    Producers: Matt Duffer, Ross Duffer, Shawn Levy, Dan Cohen, Iain Paterson

    Westworld (Season 1)
    Producers: J.J. Abrams, Jonathan Nolan, Lisa Joy, Bryan Burk, Athena Wickham, Kathy Lingg, Richard J. Lewis, Roberto Patino, Katherine Lingenfelter, Cherylanne Martin

    Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy

    Atlanta (Season 1)
    Producers: Donald Glover, Dianne McGunigle, Paul Simms, Hiro Murai, Alex Orr

    Black-ish (Season 2)
    Producers: Kenya Barris, Jonathan Groff, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Vijal Patel, Gail Lerner, Corey Nickerson, Courtney Lilly, Lindsey Shockley, Peter Saji, Jenifer Rice-Genzuk Henry, Hale Rothstein, Michael Petok, Yvette Lee Bowser

    Modern Family (Season 7)
    Producers: Steven Levitan, Christopher Lloyd, Paul Corrigan, Abraham Higginbotham, Elaine Ko, Jeff Morton, Jeffrey Richman, Brad Walsh, Danny Zuker, Vali Chandrasekaran, Andy Gordon, Jon Pollack, Chuck Tatham, Chris Smirnoff, Sally Young

    Silicon Valley (Season 3)
    This show is in the process of being vetted for individual producer eligibility

    Veep (Season 5)
    Producers: David Mandel, Frank Rich, Julia Louis-Dreyfus, Lew Morton, Morgan Sackett, Sean Gray, Peter Huyck, Alex Gregory, Jim Margolis, Georgia Pritchett, Will Smith, Chris Addison, Rachel Axler, David Hyman, Erik Kenward, Billy Kimball, Steve Koren

    Outstanding Producer of Non-Fiction Television

    30 for 30 (Season 7)
    Producers: Connor Schell, John Dahl, Libby Geist, Bill Simmons, Erin Leyden, Gentry Kirby, Andrew Billman, Marquis Daisy, Deirdre Fenton

    60 Minutes (Season 48, Season 49)
    This show is in the process of being vetted for individual producer eligibility

    Anthony Bourdain Parts Unknown (Season 5-8)
    Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandra Zweig

    Hamilton’s America
    This show is in the process of being vetted for individual producer eligibility

    Making a Murderer (Season 1)
    This show is in the process of being vetted for individual producer eligibility

    Outstanding Producer of Competition Television

    The Amazing Race (Season 27, Season 28)
    Producers: Jerry Bruckheimer, Bertram van Munster, Jonathan Littman, Elise Doganieri, Mark Vertullo

    American Ninja Warrior (Season 7, Season 8)
    This show is in the process of being vetted for individual producer eligibility

    Lip Sync Battle (Season 1, Season 2)
    This show is in the process of being vetted for individual producer eligibility

    Top Chef (Season 13)
    Producers: Daniel Cutforth, Tom Colicchio, Casey Kriley, Padma Lakshmi, Jane Lipsitz, Doneen Arquines, Erica Ross, Patrick Schmedeman, Ellie Carbajal

    The Voice (Season 9-11)
    Producers: Audrey Morrissey, Jay Bienstock, Mark Burnett, John de Mol, Chad Hines, Lee Metzger, Kyra Thompson, Mike Yurchuk, Amanda Zucker, Carson Daly

    Outstanding Producer of Live Entertainment & Talk Television

    Full Frontal with Samantha Bee (Season 1)
    This show is in the process of being vetted for individual producer eligibility

    Last Week Tonight with John Oliver (Season 3)
    Producers: Tim Carvell, John Oliver, Liz Stanton

    The Late Late Show with James Corden (Season 2)
    Producers: Ben Winston, Rob Crabbe, Mike Gibbons, Amy Ozols, Sheila Rogers, Michael Kaplan, Jeff Kopp, James Longman, Josie Cliff, James Corden

    Real Time with Bill Maher (Season 14)
    Producers: Bill Maher, Scott Carter, Sheila Griffiths, Marc Gurvitz, Billy Martin, Dean E. Johnsen, Chris Kelly, Matt Wood

    Saturday Night Live (Season 42)
    Producers: Lorne Michaels, Steve Higgins, Erik Kenward, Lindsay Shookus, Erin Doyle, Ken Aymong

    Outstanding Children’s Program

    Girl Meets World (Season 2, Season 3)

    Octonauts (Season 4)

    School of Rock (Season 1)

    Sesame Street (Season 46)

    SpongeBob SquarePants (Season 9)



    Source: PGA

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    - parody of both the movie and those street magician shows
    - recalls conan's '95 david copperfield skit
    - highlights include scattering pigeons, changing traffic lights and completing internet challenges





    trigger warning: sexual assault for the next part




    - before each show, the host and cast get together before broadcast
    - the cast members would rush the hosts in some form of hazing ritual and move their hands as if to grab and grope them, with the videos posted to the show's facebook
    - some fans of kpop group B1A4 got around to seeing the video with the group and were not happy with seeing the female cast members act like that towards the group
    - fans of other boy groups like SHINee, Block B, INFINITE etc. saw videos involving those groups and joined the outcry on social media
    - snl korea treated it like a joke at first, but after the police started getting involved they issued a couple of apologies
    - comedian Lee Se Young isn't the only cast member to do this, but somehow she was the one that got singled out and a case was filed agains her
    - after questioning, police concluded that no physical contact occured. B1A4 aren't interested in proceeding with the case, so it is being dismissed.



    SNL Korea has also been in trouble for blackface, racism, mocking adoptees, and god knows what else. oh and while this whole sexual assault thing was going on, they thought it would be cute to mock a veteran actress' mastectomy. when they were called out, they apologised by saying that they didn't know the actress had breast cancer -_- that's the kind of comedy you'll find at SNLK the show has its moments like with the doctor strange skit but overall it's just a lotta cheap sex jokes



    sources 12345678

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    • Notes that while Ryan acknowledged his "sweetheart" at the Golden Globes, he didn't address her by name. Likewise, Eva vaguely acknowledged Ryan on instagram, but didn't directly reference him or his speech.

    • In their five years as a couple, they've only walked one red carpet, in 2012, for their film The Place Beyond the Pines.

    • Suggests the secrecy is due to Ryan and Eva being fiercely protective of their relationship and family (obviously).







    • While people know they're together, Ryan still refuses to publicly name Eva (he's only named her twice in years)

    • Ryan's public names for Eva include: Person, my lady, her, angel, she, and sweetheart.

    • They're basically driving the media nuts with their secrecy.



    Also, someone at the Independent needed clicks and decided Bsby Goose's emotional speech to his lady was sexist or something because they hate nice, romantic things





    • Writer is mad Eva took a backseat, raising their kids while Ryan works.

    • Writer disregards that Eva's sacrifice and hardship waa the point of Ryan's speech, and also ignores Eva's successful clothing line, which is her current income.

    • Writer thinks Ryan isn't helping to raise his own kids because he's working and not allowing Eva equality or something.



    Source one, source two, source three

    ONTD, are Gosling/Mendes rising from the Jolie/Pitt ashes? Do you hope Eva attends the Oscars and serves us looks? Is Ryan and Eva's secrecy refreshing in this age of oversharing? Are they already secretly married? Do you think Ryan is now the only thing standing in the way of Casey Affleck's reign of terror? Am I already day drinking?

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    tweets now deleted.







    source 1& 2

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    - Archer was slated to move for Season 7 but didn't make the jump
    - FXX is pushing heavily for more cartoons
    - Archer has been renewed to season 10; after that, Adam Reed will probably end it
    - Season 8 will focus on Archer as a hardboiled detective trying to solve the murder of his partner, Woodhouse (RIP George Coe)

    Sauces: Animation Magazine, FXX

    I'm so excited! I loved season 7. My favorite episodes were the one with the swinging couple and where Mallory was kidnapped although my favorite scene was the one with the epic voicemail.




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    Harlots tells the story of 18th Century sex workers, all with women writers, directors & producers. Executive producer Alison Owen comments on the goal to balance male and female nudity on screen: “It was very important to us from the beginning to make it about the female gaze. We were determined to make something different. Our hope from the beginning was, ‘Everything from the whore’s eye view.'”

    It also aims to portray the story with as much historical accuracy as possible, but maybe using anachronistic music in the show (idk if it is just being used in this trailer or in the show as a whole) like Sofia Coppola in Marie Antoinette.

    Harlots premiers 27 March 2017

    Source 12

    ONTD are you a harlot?

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    After wandering a ruined city for years, two siblings enter a building and find a man who makes them a dangerous offer.

    This is director Emilio Rocha Minter's debut. It comes out on selected theaters this month, and on Bluray this Valentine's Day.


    source

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    SOURCE

    WHY @ Cassandra/Jenkins

    But OKAY @ Cassandra/Estrella kissing.

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    - French police started arresting these people early Monday, from different places all around Paris and surrounding cities. They can be held up to 96 hours, and then they are either charged or released.
    - They found them thanks to DNA evidence left at the scene that matched a previous database entry.
    - 14 suspects are male, three are female
    - This dude was her driver while she was in town for Paris Fashion Week, the police believe he passed on information to this gang that allowed them to commit the crime.

    - The actual attack only involved 5 men. Three held up the night porter, and the other two were the ones that confronted and tied up Kim in her apartment.
    - Following the DNA sample they found, the police were then able to tap the phones of suspects, and tracked a meeting between one of these dudes and a potential buyer of Kim's stolen goods.
    All three tweets sourced from this Twitter moment.

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  • 01/10/17--10:17: ONTD Roundup
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    Black Sails fan podcast Fathoms Deep interviewed co-creator and writer Jonathan Steinberg. It’s ~80min long and worth the listen, but I also compiled (rough) timestamps and notes for you guys. (Also, the interviewers have no chill, some people aren't into that.)

    Highlights include Anne Bonny's coming-out as his proudest achievement, the importance of the Maroons, mother-daughter relationships, and throwing straight people a bone too.



    • (3:35) “It’s paced like a novel, in some ways.” → Walking the tightrope between emphasizing the “emotional fireworks” of characters’ identity crises while also meeting network requirements of a “great, big naval action show”.

    • (9:00) Trying to avoid the easy way of simply dividing characters into good vs bad guys, instead rely on the “bullshit test”: do the characters’ actions make sense from both sides, to themselves, or is it just contrived narratively?

    • (10:00) Extensive description of the writing process, emphasis on how much time Starz gave them to really work the story out, which is rare.

    • (13:30) Was very afraid S3 wouldn’t manage to be as emotional as S2, and struggled with the S3 finale - resolved it by paralleling the big battle with the “climax of this relationship” between Silver and Flint. Constructing the time jumps to the campfire scene was quite last minute and “bananas, but emotionally it worked”.

    • (16:40) “You’re always telling 2-3 different stories if you’re doing it properly, and the emotional stuff needs to govern.”

    • S4 will be “emotionally more complicated.”

    • (19:50) Working with an eye towards Treasure Island: juggling the telling of simply a good story and the fact that in this case, “not all endings are acceptable”. As stated before, the book “isn’t canon”, but instead is treated as a fictionalized tale of the “historical” events of Black Sails, and is malleable the way historical facts are not treated as gospel in the show. ”It is a fictional children’s story about a historical record that we are writing” is in his opinion the cleanest way to describe it.

    • Says TI, no disrespect, does have some pieces of garbled storytelling they’re trying to make sense of: “It’s a weirdly ornate story, everyone’s motivations are weird. [...] Flint buries this treasure, they all see him do it, but then they leave with him. [...] Somehow he ends up in Savannah, drunk, alone; and dies there with Billy and the rest of the crew. [...] That’s the sort of puzzle-shape we had to make fit at the end.”

    • (23:15) Says S5 was left open by Starz, but figuring out the resolution sealed it, “I don’t think I could do it again, I think we sort of found the ending. Let’s declare victory and depart the field.” Conceived of a couple versions of S5 but it all felt like epilogue.

    • (27:00) Hated the idea of killing Miranda and fought for months to let her live. He’s satisfied with how it turned out, but still feels strongly about it. Also didn’t want Vane to die.

    • (31:15) On Flint being gay: “How do you make the thing that he resents about England so personal that he can’t separate himself from it. [...] The most intimate, woven-into-your-self sort of thing.” The network didn’t want the reveal to happen in S1 as initially planned and Steinberg is aware it might have been out of gay panic on Starz’ part, but he’s glad now: time to meet Flint and be intrigued, then introduce his core motivator.

    • (33:40) Anne & Jack: “They’re essentially married. [...] And then this story happened with Bonny. [...] Of the things that I’m proud of with the show, it’s probably at the top, this story of this woman sort of coming out, and understanding that she’s gay, especially given the light she’s led. This was something we really had to fight for. [...] This was something we really didn’t want to be wishy-washy about. [...] And then [Jackanne’s] relationship became something way more interesting. They’re twins, essentially - in the mythological sense, they’re the twins of the story, two halves of the same person. And it’s not defined, [...] this label has little bearing. [...] It really freed Rackham to [...] be crankier, his relationship with her got more fun. [...] When the story is true, it will do things for you down the road. [...] You removed [...] them needing to be monogamous, and now they’re just so much more fun to be around.

    • (41:15) Steep learning curve through S1, doesn’t think he’d have been able to pull of S2’s story where he was at as a storyteller that early.

    • (45:00) Max & Anne telling each other their backstories: “There are real, immediate reasons for them telling each other[.] Max describing her childhood, it’s genuine, but it’s also when you say in a break-up, Don’t blame me, I’ve got shit going on here. [...] I’m going to show you a vulnerability that I have not shown anyone else so that you’ll understand that I’m being honest with you. [...] Complementary, Bonny says the same: I understand that you’re protecting me, but I also need you to understand how broken I am, and that I’m willing to show that to you suggests that I’m broken beyond the ability to cope.

    • Every character has chosen a life of piracy because of experiencing injustice in regular society. [OP's note: Between the main cast, we have so far covered gender, sexuality, race, class and disability.]

    • (47:20) On Silver’s backstory being deliberately left for S4: “His unknowability, I think, in terms of the story, of what he meant to Flint.”

    • (51:30) Knew Flint right from the start, but Silver was still very vague to the point they wanted Luke Arnold on the show but didn’t know what part he should play.

    • (54:55) Steinberg hadn’t seen Muppet Treasure Island until watching it with his kids a couple weeks ago.

    • (58:25) ALL THE MADI DISCUSSION. I’m posting notes but this is def the most interesting part, if you only listen to some, listen to these 10 minutes.

    • Originally Madi and her mother were one character, based on a throwaway line in TI about Silver being married to an African woman. The character oscillated between King Scott’s wife and daughter, but being unable to decide between Moshidi Motshegwa and Zethu Dlomo, they decided to have both also bc this way he could give exposure to two great women. Immediately became more interesting bc it’s a mother-daughter story, writers were excited to write scenes between the two. Madi has a narrative that is often reserved for male characters: being the successor of a leader, going essentially from a child to sitting down first at the table with Flint, Blackbeard et al. She deliberately teaches Silver about leadership bc she sees he’s in over his head, while she has been prepared for it all her life.

    • (58:45) “It felt disingenuous to tell a story about this time and place without slavery being a character as an institution.” Didn’t quite know yet how to do it in S2 and left it for once they were better prepared.

    • Madi and her mother are based on extensive research on Queen Nanny, a leader of Maroons and historical figure.

    • (1:03:00) Parallels between Silver/Flint and Madi/her mother, seeing your successor grow into your role etc. Silver unexpectedly finding someone to be vulnerable around in Madi. (“This very big romance between the two of them.”)

    • (1:09:00) Madi embodies what Vane erroneously attributes to Eleanor in S1: “Power that just is.” Generally their stories work in tandem with each other.

    • (1:11:20) Eleanor (and Max, to some extent, esp in S3) is the one character who makes sense, whose decisions are always driven by grown-up pragmatism to make things work in a way the least people don’t die: this negates wish fullfilment almost immediately, which is the opposite of Vane. [OP’s Note: well, there we go: Vane the male wish fulfillment! No news there.] Even though her moral reasoning behind it might not always be pure, he defends her for this, bc he feels many viewers didn’t appreciate her ruthlessness.

    • (1:14:30) “The tragedy of this is, the world you would want to live in, is being most advanced by the people you most hate in the show.” Aka we’re on the pirates’ side, but ultimately the world where one can have a house and send your kids to school and not worry about getting murdered everyday is not the pirates’ Nassau.

    • (1:18:00) On the difference between characters acting out of deep-held convictions and moral differences, rather than creating justifications after the fact.

    • (1:19:10) “I love that through three seasons, the only heterosexual romance with a capital R is between [Eleanor & Rogers] who should by all rights be the villains[.]” Says their relationship is earnest and straightforward, which is a first for straight relationships on the show. “We haven’t had a heterosexual love story yet, we should probably do one of those at some point.” Says they are both “unusual in their native habitat”.



    crew, are you ready for the gayest show on tv to end?




    Source: Fathoms Deep Podcast


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    Sienna Miller speaks to ENews about their many sex scenes: "There was a montage in the script saying we did it everywhere: in the car, in the bar...I was like, 'That's an entire day of just love scenes!

    "It's hysterical,""Ben and I are like brother and sister, thank God, so there was no awkwardness. There was just a lot of stupid giggling. He's very professional—I am not, but he is. In that environment, it was a cool scene."


    source
    Photo source

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    Just in time for the movie and because Marvel Studios now dictates what Marvel Comics does no matter how much employees tell you otherwise, Guardians of the Galaxy is getting a new #1 this May with new creative team Gerry Dugan, Aaron Kuder and Ive Svorcina.

    The team will consist of the Star-Lord, Rocket, Gamora, Drax, and Groot. Drax is now a pacifist and Groot is now stuck in his baby form because, again, movies. The Collector and The Grandmaster (set for his film debut later this year in Thor) are also set to have major roles.

    Source

    Long dead, now back to life again because why not, Ben Reilly is back as Scarlet Spider this April with Peter David and Mark Bagley.

    Ben was revealed last month to be the antagonist of the Spider-Man event The Clone Conspiracy, and in his new book will be torn between his Jackal and Scarlet Spider identities.

    Source

    have you run out of ideas like marvel has, ontd? (now with cut mods)

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    news of the addition of Rashad to the cast came through actor Sterling K. Brown

    "I just worked with Chad on a film called Marshall, about Thurgood Marshall. He’s such a talented human being and a deep soul. He’s the perfect personality to fully inhabit T’Challa. So, to rejoin him, and to work with Academy Award winners … to be with Michael B. Jordan after the incredible work he’s done in Creed. Danai Gurira, Phylicia Rashad, Forest Whitaker — like, it’s embarrassing. I’m good at what I do — I don’t try to do any sort of false modesty — but, ‘Wow! I get to be with all of you people!?!’ I think Ryan Coogler is one of the great storytellers that we have working today. The meeting I had with Nate Moore before I even got to chance to audition for Panther, and to see the level of knowledge, and just passion that he has for the whole universe, and for this project in particular … it’s in such good hands. I worked with Joe Robert Cole — he was one of our writers on The People vs. O.J. who co-writes with Ryan Coogler [on Panther]. Like, everyone is so good at what they do.”

    source

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